Difference between revisions of "Closed Planet"

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(Scenes)
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* 07:10-08:10: Records Office interior (hum with tremolo)
 
* 07:10-08:10: Records Office interior (hum with tremolo)
 
* 08:10-10:52: Working on the engines (as above with noise and computer beeps and internals)
 
* 08:10-10:52: Working on the engines (as above with noise and computer beeps and internals)
** 08:37-08:53 Loudest/clearest samples of engine room background
+
<!--** 08:37-08:53 Loudest/clearest samples of engine room background-->
* 10:52-19:34 Orbiting the planet
+
* 10:52-19:34: Orbiting the planet
* 19:34-24:26 The ambassador's visit to the spaceship
+
* 19:34-24:26: The ambassador's visit to the spaceship
** 22:35-22:45 Sombre chords "This is understood"
+
<!--** 22:35-22:45 Sombre chords "This is understood"-->
 
* 24:26-30:11 First moments on the planet surface. No sound except for:
 
* 24:26-30:11 First moments on the planet surface. No sound except for:
** 28:35-28:51 Arrival of the ambassador's flycar
+
<!--** 28:35-28:51 Arrival of the ambassador's flycar-->
  
 
* 30:14-32:07 Consternation and alarm
 
* 30:14-32:07 Consternation and alarm
** 31:40-31:43 The alarm
+
<!--** 31:40-31:43 The alarm-->
 
* 32:07-45:37 Listening to police radio (no background)
 
* 32:07-45:37 Listening to police radio (no background)
** 32:32-32:30 Alien speech (backwards human speech)
+
<!--** 32:32-32:30 Alien speech (backwards human speech)-->
** 42:50-43:10 "Good night" (shimmering enchantment)
+
<!--** 42:50-43:10 "Good night" (shimmering enchantment)-->
 
* 45:37-48:18 Flycar takeoff, interior background and landing
 
* 45:37-48:18 Flycar takeoff, interior background and landing
 
* 48:18-55:32 On the planet surface (filtered noise then silence)
 
* 48:18-55:32 On the planet surface (filtered noise then silence)

Revision as of 18:27, 6 January 2016

DD161932 (detail)

Delia created effects and backgrounds for a 1962 science fiction radio drama Closed Planet by John Hynam[1] for the BBC Light Programme.[2]

On her papers for Closed Planet, Delia refers to Time On Our Hands,[3] which is also from 1962.

Plot

A spaceship far from Earth is hit by meteors, one engine is damaged, and they obtain special permission, given the circumstances, to land on a planet where visit are not allowed from other civilizations

While the crew is on the planet, a black african member of the crew who has gone mad steals one of the alien guard's vehicles, drives into town, complains about the drinks that they serve there, is arrested, runs from the police and is shot.

Back at the ship, our heroes have followed these events on "view-screens" and find that one of the only two women in the crew is missing. They attack the guards, steal another flycar and fly to the city to rescue her.

In the end, one of the crew members has a baby and the ship lifts off. (Sorry, I couldn't stand following the rest of it!)

Its Radio Times entry describes it as:

Time: Somewhere in the future
In the New Age interplanetary travel has become an everyday occurrence. and Time rather than Distance now sets the only limit on man's exploration of the universe. It seems, however, that Outer Space. like our own familiar world, also has secrets to hide, frontiers to guard, "security" zones to protect. Such a place is the "closed" planet, and only dire necessity may excuse the deliberate infringement of its astral neutrality by visitors from Earth.

Scenes

Dividing it into sections with different (or no) Delian backgrounds:

  • 00:00-07:10: Intro and meteor hit to the spaceship (Spaceship interior background, a whistle)
  • 07:10-08:10: Records Office interior (hum with tremolo)
  • 08:10-10:52: Working on the engines (as above with noise and computer beeps and internals)
  • 10:52-19:34: Orbiting the planet
  • 19:34-24:26: The ambassador's visit to the spaceship
  • 24:26-30:11 First moments on the planet surface. No sound except for:
  • 30:14-32:07 Consternation and alarm
  • 32:07-45:37 Listening to police radio (no background)
  • 45:37-48:18 Flycar takeoff, interior background and landing
  • 48:18-55:32 On the planet surface (filtered noise then silence)
  • 55:32-57:23 "Look at this tiny child here", ship takeoff and outro.

Most of Delia's backgrounds start with a musical effect which then fades into the background sound for the scene, lasting throughout it and punctuating the dialogue with effects.

Makeup tapes

Delia constructed it with four makeup tapes[3] on the TR90 and Ferrograph tape recorders and the "KU" and "RGD", whatever they are, and seems to reuse elements of Time On Our Hands in one place.

The four tapes contain:[3][4]

  • Tape 1: basic inc- high sine
    • Band 1: single [][5] notes + f.b. - approx. 1 per 6"
    • Band 2: .,.-./\/\.-.,. rand. & Doppler - approx. 1 per 15"
    • Band 3: cont. high sine + f.b.
    • Band 4: low blocks
  • Tape 2:
    • Band 1: opening
    • Band 2: timed slides
    • Band 3: timed K.U.
    • Band 4: Ferro loop / TOOH + sliding using the RGD and TR90
    • Band 5: band of times slides
    • Band 6: timed K.U. arpegs.
    • Band 7: Copy + E of Ferro loop
  • Tape 3: first mix with [][5]
  • Tape 4:
    • Band 1: loud bass distortion
    • Band 2: q.u.[?]
    • Band 3: filthy
    • Band 4: good (first mark[?] now on tape 2) using the Ferrograph, TR90 and KU.

Extracts

  • Opening

"Very high and eerie, desc. semitones, down to steady far mar[?]. Moving forward - higher and further."[4] Closed Planet - Opening - Spectrogram.jpg

  • Meteor warning and strike

Closed Planet - Meteor warning and strike - Spectrogram.jpg

  • Chords "This is understood"

Closed Planet - Chords "This is understood" - Spectrogram.jpg

  • Ship landing

Closed Planet - Ship landing - Spectrogram.jpg

  • Arrival of the ambassador's flycar

Closed Planet - Arrival of the flycar - Spectrogram.jpg

  • Good Night

Closed Planet - Good night - Spectrogram.jpg

  • Flycar takeoff

Closed Planet - Takeoff - Spectrogram.jpg

  • Flycar landing

Closed Planet - Landing - Spectrogram.jpg

  • Ship takeoff and outro

Closed Planet - Ship takeoff and outro - Spectrogram.jpg

Papers

  • DD161912 DD161932: Two pink pages of notes, paperclipped together, listing what's on each of the four makeup tapes and with notes for Time On Our Hands.
  • DD162002 DD162024: Two yellow pages of notes and diagrams, stapled together, listing the effects she was to create and their internal structure

Availability

  • Broadcast on 24 October 1962 at 20.31 on the Light Programme.[1]
  • Its rebroadcast as episode 49 of American radio series "SciFi Friday" is archived in the OTRR Library, from which the following is cropped.

Reference

  1. 1.0 1.1 Closed Planet] on the BBC Genome Project.
  2. DD162002: Yellow notes for Closed Planet, page 1.
  3. 3.0 3.1 3.2 DD161912: Pink notes for Closed Planet, page 1.
  4. 4.0 4.1 DD161932: Pink notes for Closed Planet, page 2.
  5. 5.0 5.1 []: Square waves.