Copyright - Revision history

Martinwguy: /* Copyright owners */

2021-12-23T13:57:53Z

‎Copyright owners

Martinwguy: /* Copyright owners */

2021-12-23T13:56:55Z

‎Copyright owners

Martinwguy at 13:15, 17 April 2020

2020-04-17T13:15:03Z

Martinwguy: /* UK law */

2019-01-17T00:59:46Z

‎UK law

Martinwguy at 00:57, 17 January 2019

2019-01-17T00:57:15Z

Martinwguy: Undo mess

2019-01-17T00:53:57Z

Undo mess

Martinwguy: Reverted edits by Martinwguy (talk) to last revision by Admin

2019-01-17T00:52:15Z

Reverted edits by Martinwguy (talk) to last revision by Admin

Martinwguy: /* EU law */

2019-01-17T00:51:37Z

‎EU law

Martinwguy: Martinwguy moved page WikiDelia:Copyrights to Copyright over redirect

2019-01-12T18:32:49Z

Martinwguy moved page WikiDelia:Copyrights to Copyright over redirect

Martinwguy: /* EU law */

2016-11-02T11:14:01Z

‎EU law

@@ Line 16: / Line 16: @@
 Recent EU legislation<ref>[https://en.wikipedia.org/wiki/Orphan_Works_Directive EU Proposal for a Directive on Orphan Works (2009)]</ref> puts anything into the public domain as an "orphan work" if the people or organisations owning them cannot be traced by a "good faith, due diligence search".
-The referent for Delia's unpublished music is her ''de facto'' heir, sometimes referred to as "The Delia Derbyshire Estate", who is [[Clive Blackburn]].<ref>The London Gazette Notice on [[77 Cambridge Street]].</ref> It would have belonged to her husband, [[David Hunter]], who she married in 1974 and never divorced. Clive Blackburn said in 2005 that &ldquo;After she died we advertised for him to come forward but he never did.&rdquo;<ref>The [[Mail on Sunday article]].</ref> and [[Brian Hodgson]] said in 2008 that
+The referent for Delia's unpublished music is her ''de facto'' heir, sometimes referred to as "The Delia Derbyshire Estate", who is [[Clive Blackburn]].<ref>The London Gazette Notice on [[77 Cambridge Street]].</ref> It would have belonged to her husband, [[David Hunter]], who she married in 1974 and never divorced, but he had died in 1998.<ref name=FS>[https://www.familysearch.org/tree/person/details/G44L-BNP David Hunter's entry in the Mormon Family Search database]</ref>
 =UK law=

@@ Line 21: / Line 21: @@
 enough publicity, if he wanted to make himself known, to have made himself
 known.&rdquo;<ref>Brian Hodgdon interviewed for [[Breege Brennan's thesis]], 4th August 2008.</ref>
 =UK law=

← Older revision		Revision as of 13:15, 17 April 2020
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	=References=		=References=
	<references/>		<references/>
		+
		+	[[Category:WikiDelia]]

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 =UK law=
 In the UK, the term of copyright in a musical composition is limited to the life of the author plus 70 years, while the term of copyright in a sound recording is limited to 50 or 70 years depending on the date of recording.
-UK copyright law changed in November 2013 extending terms of copyright in sound recordings non-retroactively from 50 to 70 years. Under this new law recordings made in 1963 or later remain in copyright until 1st January 2034 while recordings made in 1962 or before are in the public domain.<ref name=OMAFAQ>[http://www.openmusicarchive.org/faq.php The Open Music Archive's FAQ].</ref>
+UK copyright law changed in November 2013 extending terms of copyright in sound recordings non-retroactively from 50 to 70 years. Under this new law, recordings made in 1963 or later remain in copyright until 1st January 2034 while recordings made in 1962 or before are in the public domain.<ref name=OMAFAQ>[http://www.openmusicarchive.org/faq.php The Open Music Archive's FAQ].</ref>
 The tracks that Delia recorded in 1962 are [[Mattachin]], [[Towards Tomorrow]], [[Time On Our Hands]], [[City Music]], [[Science Serves the Arts]], [[Arabic Science and Industry]] and [[Closed Planet]].

@@ Line 14: / Line 14: @@
 Any of Delia's work that was specifically commissioned by BBC programme producers is copyright to that body. Works created for other bodies outside the BBC are usually copyrighted to whoever commissioned them though, in a few cases, the rights for all uses other than the specific commission were retained by [[Kaleidophon]], [[Unit Delta Plus]] or [[Electrophon]]. The situation for non-BBC works in which Delia reused her own sounds or makeup tracks, originally created for BBC works, to make other pieces, is debatable.
-Recent EU legislation<ref>[http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm EU Proposal for a Directive on Orphan Works (2009)]</ref> puts anything into the public domain as an "orphan work" if the people or organisations owning them cannot be traced by a "good faith, due diligence search".
+Recent EU legislation<ref>[https://en.wikipedia.org/wiki/Orphan_Works_Directive EU Proposal for a Directive on Orphan Works (2009)]</ref> puts anything into the public domain as an "orphan work" if the people or organisations owning them cannot be traced by a "good faith, due diligence search".
 The referent for Delia's unpublished music is her ''de facto'' heir, sometimes referred to as "The Delia Derbyshire Estate", who is [[Clive Blackburn]].<ref>The London Gazette Notice on [[77 Cambridge Street]].</ref> It would have belonged to her husband, [[David Hunter]], who she married in 1974 and never divorced. Clive Blackburn said in 2005 that &ldquo;After she died we advertised for him to come forward but he never did.&rdquo;<ref>The [[Mail on Sunday article]].</ref> and [[Brian Hodgson]] said in 2008 that

@@ Line 3: / Line 3: @@
 If it is true that the common good is damaged by those who find a treasure and
 do not share it, but hide it away and do not enrich the world with it as they should, then I would have made a greater error if I, having in my hands the
-papers of Delia Derbyshire, which are a musical treasure, had not brought them to light to be seen by many people who, by means of this work, are sure to be enlightened and enriched. Thus, to avoid this sin, I have resolved to publish
+works of Delia Derbyshire, which are a musical treasure, had not brought them to light to be seen by many people who, by means of this work, are sure to be enlightened and enriched. Thus, to avoid this sin, I have resolved to publish
-these papers which until now have been hidden away merely because their custodian, out of modesty and humility, shuns the glare of publicity.
+these works which until now have been hidden away merely because their rightful custodian, out of modesty and humility, shuns the glare of publicity.
 Thus I have become his intermediary, out of love for humanity and respect for
 their author, in such a way that he might remain in his privacy and at the
 same time the world might not be defrauded of so much good.
 </BLOCKQUOTE>
-[paraphrased from [http://www.freaknet.org/martin/libri/Trattato Trattato della Religione], 1592]
+[paraphrased from [http://freaknet.org/martin/libri/Trattato Trattato della Religione], 1592]
-I am told that the BBC is claiming that other pieces of Delia's, in which she used a sound originally created for a BBC piece, or that were realised using BBC equipment, are also covered by BBC copyright, both of which are absurd.
+=Copyright owners=
-Works commissioned by other entities, such as theatre effects and film music, is copyright to whoever paid of it or, in some cases, the eternal rights were retained by [[Kaleidophon]], [[Unit Delta Plus]] or [[Electrophon]]. Recent EU legislation<ref>[http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm EU Proposal for a Directive on Orphan Works (2009)]</ref> puts them into the public domain as "orphan works" if the people or organisations owning them cannot be traced by a "good faith, due diligence search".
+Recent EU legislation<ref>[http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm EU Proposal for a Directive on Orphan Works (2009)]</ref> puts anything into the public domain as an "orphan work" if the people or organisations owning them cannot be traced by a "good faith, due diligence search".
-Delia's unpublished music belongs to her and hence to her heir [[The Delia Derbyshire Estate]], currently [[Clive Blackburn]].<ref>[[77_Cambridge_Street]]</ref>
+The referent for Delia's unpublished music is her ''de facto'' heir, sometimes referred to as "The Delia Derbyshire Estate", who is [[Clive Blackburn]].<ref>The London Gazette Notice on [[77 Cambridge Street]].</ref> It would have belonged to her husband, [[David Hunter]], who she married in 1974 and never divorced. Clive Blackburn said in 2005 that &ldquo;After she died we advertised for him to come forward but he never did.&rdquo;<ref>The [[Mail on Sunday article]].</ref> and [[Brian Hodgson]] said in 2008 that
 =EU law=
-==EU Directive on the harmonisation of certain aspects of copyright and related rights in the information society==
+The ''EU Directive on the harmonisation of certain aspects of copyright and related rights in the information society, 22 May 2001''<ref name=EU2001>[http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=CELEX:32001L0029:EN:NOT EU Directive on the harmonisation of certain aspects of copyright and related rights in the information society, 22 May 2001]</ref>
 affords to authors, performers, phonogram producers, film makers and broadcasting organisations:
 <BLOCKQUOTE>
@@ Line 28: / Line 36: @@
 and, to the same five groups
 <BLOCKQUOTE>
-the exclusive right to authorise or prohibit (authors:) communication or (the other four:) the making available to the public of their works.
+the exclusive right to authorise or prohibit (for authors:) communication or (for the other four:) the making available to the public of their works.
 </BLOCKQUOTE>

← Older revision	Revision as of 18:32, 12 January 2019
(No difference)