Karlheinz Stockhausen - Revision history

Martinwguy at 15:49, 11 April 2020

2020-04-11T15:49:00Z

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	== Gesang der Jünglinge (1955-56)<ref name=Kohl/> ==		== Gesang der Jünglinge (1955-56)<ref name=Kohl/> ==

	~~[[Louis Niebur]] says~~ that Delia admired<ref>[[Special Sound]], p.106.</ref> ~~[[Karlheinz~~ Stockhausen]]'s ~~piece~~ ''Gesang der Jünglinge'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.		It is said that Delia admired<ref>[[Special Sound]], p.106.</ref> Stockhausen's ''Gesang der Jünglinge'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.

	[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''Electronic Study 2''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>		[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''Electronic Study 2''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>

Martinwguy at 15:47, 11 April 2020

2020-04-11T15:47:49Z

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	</BLOCKQUOTE>		</BLOCKQUOTE>

	~~This, presumably, is what is~~ on Delia's [[DD165~~\|Attic Tape~~ "Stockhausen Study 2"~~]].~~		There appers to be a copy of this on one of Delia's [[Attic Tapes]].<ref>[[DD165]]: "Stockhausen Study 2"</ref>

	== Gesang der Jünglinge (1955-56)<ref name=Kohl/> ==		== Gesang der Jünglinge (1955-56)<ref name=Kohl/> ==

Martinwguy at 15:45, 11 April 2020

2020-04-11T15:45:38Z

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	Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>		Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>

	~~[[Louis Niebur]] says that~~ Delia admired Stockhausen's piece ''Gesang der Jünglinge'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion, and one of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2\|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>		= Pieces known by Delia =

	~~[[Louis Niebur]] says that Delia admired~~<ref>[[~~Special Sound~~]], ~~p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''Gesang der Jünglinge'', described as "the first masterpiece of electronic music",<ref name=Kohl>~~[https://~~www~~.~~jstor~~.~~org~~/~~stable/833576 Jerome Kohl,~~ ''~~Perspectives~~ of ~~New Music~~''], p.61.</ref> ~~though he gives no source for this assertion.~~		== Electronic Study 2 (1954)<ref name=Harvey>[[Jonathan Harvey]], [https://books.google.it/books?id=wtldEmoFR-MC&pg=PA25 ''The Music of Stockhausen: An Introduction''], University of California Press, 1975, pp.25-28.</ref> ==

	[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>		In it, "he selects quite a constricted range of material, the proceeds to cover it totally, to use up ''all'' the possibilities that the imagination considers worth while".<ref name=Harvey/>

			<BLOCKQUOTE>
			''Studie 2'' is eighty-one sine tones pitched along an exponential frequency scale which spans just over seven octaves. The steps are all perceived as equal and are a little over 1/16th of an octave in size. [...] The most significant thing about these intervals chosen by the 25th root of 5 is that no octaves occur. The lowest frequency is 100 c.p.s, and no multiple of 100 by any whole number occurs throughout the scale.<ref name=Harvey/>
			</BLOCKQUOTE>

			This, presumably, is what is on Delia's [[DD165\|Attic Tape "Stockhausen Study 2"]].

			== Gesang der Jünglinge (1955-56)<ref name=Kohl/> ==

			[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s piece ''Gesang der Jünglinge'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.

			[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''Electronic Study 2''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>

	=References=		=References=

Martinwguy at 15:35, 11 April 2020

2020-04-11T15:35:52Z

← Older revision		Revision as of 15:35, 11 April 2020
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	Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>		Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>

	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion, and one of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2\|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''Gesang der Jünglinge'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion, and one of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2\|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>

	[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''[[Gesang der Jünglinge]]'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.		[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''Gesang der Jünglinge'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.

	[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>		[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>

Martinwguy at 15:35, 11 April 2020

2020-04-11T15:35:31Z

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	Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>		Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>

	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion.		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion, and one of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2\|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>

	~~One of her~~ [[~~Attic Tapes~~]] ~~is labelled "~~Stockhausen [[~~Electronic Study 2\|Study 2~~]]".<ref>[[~~DD165~~]]: "~~Stockhausen~~ Study 2"</~~ref~~>		[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''[[Gesang der Jünglinge]]'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.

			[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>

	=References=		=References=

Martinwguy at 13:13, 11 April 2020

2020-04-11T13:13:55Z

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	[[Category:Person]]		[[Category:Person]]
			[[Category:Influence]]

Martinwguy at 12:31, 11 April 2020

2020-04-11T12:31:36Z

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	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion.		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion.

	One of her [[Attic Tapes]] is labelled "Stockhausen Study 2".<ref>[[DD165]]: "Stockhausen Study 2"</ref>		One of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2\|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>

	=References=		=References=

Martinwguy at 12:29, 11 April 2020

2020-04-11T12:29:51Z

← Older revision		Revision as of 12:29, 11 April 2020
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	Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>		Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>

	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he ~~cite~~ no source for this assertion.		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion.

	One of her [[Attic Tapes]] is labelled "Stockhausen Study 2".<ref>[[DD165]]: "Stockhausen Study 2"</ref>		One of her [[Attic Tapes]] is labelled "Stockhausen Study 2".<ref>[[DD165]]: "Stockhausen Study 2"</ref>

Martinwguy at 12:29, 11 April 2020

2020-04-11T12:29:26Z

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	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he cite no source for this assertion.		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he cite no source for this assertion.

	One of her [[Attic Tapes]] is labelled "Stockhausen Study 2".<ref>[[DD165]]: Stockhausen Study 2</ref>		One of her [[Attic Tapes]] is labelled "Stockhausen Study 2".<ref>[[DD165]]: "Stockhausen Study 2"</ref>

	=References=		=References=

Martinwguy at 12:28, 11 April 2020

2020-04-11T12:28:33Z

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	Delia had an exploratory encounter with [[Karlheinz Stockhausen]]<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>.		Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>

	[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he cite no source for this assertion.		[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he cite no source for this assertion.