Martinwguy: Redirected page to The Pattern Emerges#Score

2016-05-30T23:27:25Z

Redirected page to The Pattern Emerges#Score

Martinwguy at 08:27, 4 October 2015

2015-10-04T08:27:57Z

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[[Image:The Pattern Emerges.pdf|thumb|right|Score, typeset using Lilypond]]

This is a recreation of Delia's score for [[The Pattern Emerges]] from album [[Electrosonic]], derived from its spectrogram.

* [[media:The Pattern Emerges.txt|The input file for the Lilypond music typesetting program]]
* [[media:The Pattern Emerges.pdf|Lilypond's output of the score as a PDF]]
* [[:file:The Pattern Emerges.midi|Lilypond's output as a MIDI file]] that you can [[media:The Pattern Emerges.midi|listen to]]
 
=Spectrogram with grid=
[[Image:The Pattern Emerges - Spectrogram with grid.jpg|800px]]

=LilyPond=
<PRE>
% This is the Lilypond source for "The Pattern Emerges" by Delia Derbyshire
% released on the album "Electrosonic" in 1972
% created by Martin Guy <martinwguy@gmail.com> in July 2012.
%
% For further info on this piece of music see
% http://wikidelia.net/wiki/The_Pattern_Emerges

\version "2.16.2"

\header {
title = "The Pattern Emerges"
composer = "Delia Derbyshire"
}

% We divide the piece into three staves: the melody, the accompanying chords
% and the bass line.

global= {
\time 4/4
\key c \major
}

Melody = \new Voice \relative c''' {
\ottava #1 \stemUp
\set Staff.midiInstrument = #"flute"
% Really the b8 is extended to a b4 simultaneous with the c
\partial 8. b16 c8 |
\set Staff.currentBarNumber = #1
%1
a2. b8 c | a2. b8 c | e b fis'2 b,8 c| a2. b8 c |
%5
g' c, fis2 b,8 c | g' c, fis2 b,8 c | a2. b8 c | a2. e'8 f |
%9
b f ais2 e8 f | b f ais2 dis,8 e | bes' e, a2 dis,8 e | bes' e, a2 d,8 ees |
%13
a ees gis2 d8 ees | a ees gis2 cis,8 d | aes' d, g2 c,8 des | g des fis2 b,8 c |
%17
ges' b, f'2 b,8 c | ges' b, f'2 b,8 c |
%19
a2. b8 c | a2. b8 c | gis'2. b,8 c | ais'2. b8 c | a2. b8 c | a2. b8 c |
%25
\ottava #2
fis 1 | g 1 | aes1~ | aes1~ | aes4 \bar "||"
}

Chords = \new Voice \relative c'' {
\set Staff.midiInstrument = #"flute"
\ottava #1 \stemDown \tieDown
\partial 8. s8. |
%1
r8 <f aes>8 <e g>4 <ees ges>2~ |
<ees ges>8 <f aes>8 <e g>4 <ees ges>2 |
<d f>4. <f aes>8 <e g>2~ |
<e g>8 <f aes>8 <e g>4 <ees ges>2 |
%5
<aes b>8 <ges a>4 <f aes>8 <e g>4 <ees ges>4 |
<aes b>8 <ges a>4 <f aes>8 <e g>2~ |
<e g>8 <f aes>8 <e g>4 <ees ges>2~ |
<ees ges>8 <f aes>8 <e g>4 <ees ges>4 <f aes>4 |
%9
<d f>8 <aes' b> <f aes> <aes b> <f aes>16 <ees ges> <d f>8 <f aes>4 |
<d f>8 <aes' b> <f aes> <aes b> <f aes>16 <ees ges> <d f>8 <f aes>4 |
<des e>8 <g bes> <e g> <g bes> <e g>16 <d f> <des e>8 <e g>4 |
<des e>8 <g bes> <e g> <g bes> <e g>16 <d f> <des e>8 <e g>4 |
<c ees>8 <ges' a> <ees ges> <ges a> <ees ges>16 <des e> <c ees>8 <ees ges>4 |
<c ees>8 <ges' a> <ees ges> <ges a> <ees ges>16 <des e> <c ees>8 <ees ges>4 | %?
%15
8 <f' aes> <d f> <f aes> <d f>16 <c ees> 8 <d f>4 |
<bes des>8 <e g> <des e> <e g> <des e>16 <bes des>8 <des e>4 |
<a c>8 <ees' ges> <c ees> <ees ges> <c ees>16 <bes des> <a c>8 <c ees>4 |
<a c>8 <ees' ges> <c ees> <ees ges> <c ees>16 <bes des> <a c>8 <c ees>4~ |
%19
<c ees>8 <f aes> <e g>4 <ees ges>2~ |
<ees ges>8 <f aes> <e g>4 <ees ges>2~ |
<ees ges>8 <e g> <ees ges>4 <d f>2~ |
<d f>8 <ges a> <f aes>4 <e g> <ees ges>4~ |
%23
<ees ges>8 <f' aes> <e g>4 <ees ges>2~ |
<ees ges>8 <f aes> <e g>4 <ees ges>2~ |
<ees ges>8 <d f>8 <des e>4 <c ees>4 4~ |
8 <ees ges>8 <d f>4 <des e>4 <c ees>4~ |
<c ees>8 <e g>8 <ees ges>4 <d f>4 <des e>4~ | <des e>1~ | <des e>4
}

Bass = \new Voice \relative c {
\partial 8. s8. |
%1
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
%9
\times 2/3 { e8 aes b } e8 aes e4~ \times 2/3 { e8 d16 c b8 } |
\times 2/3 { e,8 aes b } e8 aes e4 b |
\times 2/3 { ees,8 g bes } ees8 g ees4~ \times 2/3 { ees8 des16 b bes8 } |
\times 2/3 { ees,8 g bes } ees8 g ees4 bes |
\times 2/3 { d,8 ges a } d8 ges d4~ \times 2/3 { d8 c16 bes a8 } |
\times 2/3 { d,8 ges a } d8 ges d4 a |
\times 2/3 { des,8 f aes } des8 f des4~ \times 2/3 { des8 b16 a aes8 } |
\times 2/3 { c,8 e g } c8 e c4 g |
\times 2/3 { b,8 ees ges } b8 ees b4 ges |
\times 2/3 { b,8 ees ges } b8 ees b2 |
%19
\times 2/3 { c,,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
% up an octave
\times 2/3 { c8 g' e' b' e b } e,2 |
%25
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2 |
\times 2/3 { c,8 g' e' b' e b } e,2~ | e1~ | e4
}

\paper {
% Don't indent the first line of the score
indent = #0
}

\score {
\new PianoStaff
<<
% No curly bracket at the start of the staves, thank you
\set GrandStaff.systemStartDelimiter = #'SystemStartBar

% Treble staff of entire piece
\new Staff {
\clef treble
\time 4/4
\key c \major
% one bar lasts 6 seconds so a crochet is 1.5 seconds. 60/1.5=40
\tempo 4=40

\context Staff <<
\new Voice { \Melody }
\new Voice { \Chords }
>>
}

% Bass staff of entire piece
\new Staff {
\clef bass
\time 4/4
\key c \major

\new Voice { \Bass }
}
>>
\midi {}
\layout {}
}
</PRE>

[[Category:Score]]

The Pattern Emerges (score) - Revision history

Martinwguy: Redirected page to The Pattern Emerges#Score

Martinwguy at 08:27, 4 October 2015