Difference between revisions of "Gesang der Jünglinge"
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[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''[[Gesang der Jünglinge]]'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion. | [[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''[[Gesang der Jünglinge]]'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion. | ||
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| + | [[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/> | ||
=References= | =References= | ||
Revision as of 13:14, 11 April 2020
Louis Niebur says that Delia admired[1] Karlheinz Stockhausen's 1955-56[2] piece Gesang der Jünglinge, described as "the first masterpiece of electronic music",[2] though he gives no source for this assertion.
Jonathan Harvey says that "the overall structure of Gesang der Jünglinge is remarkably like that of Electronic Study 2; both final sections combine and develop the ideas stated in the preceding sections."[2]
References
- ↑ Special Sound, p.106.
- ↑ 2.0 2.1 2.2 Jerome Kohl, Perspectives of New Music, p.61.
