Difference between revisions of "DD048"
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− | + | [[DD048]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] with makeup for ''[[I Think In Shapes]]''. | |
+ | =[[Initial Catalogue|Mark Ayres' notes]]= | ||
+ | <PRE> | ||
Type: 10.5" reel, 1/4" tape, | Type: 10.5" reel, 1/4" tape, | ||
+ | Label: DD Material 11 | ||
+ | </PRE> | ||
− | + | =[[DD Audio Files Commentary|Louis Niebur's notes]]= | |
+ | <PRE> | ||
+ | DD048 – D.D. Material 11 | ||
+ | Recorded at both 7.5 and 15ips, because they both sound good. | ||
+ | Short atmostpheric cue with “racquetball” bouncing sounds | ||
+ | </PRE> | ||
+ | |||
+ | =[[Delia Derbyshire's Creative Process|James Percival's notes]]= | ||
+ | <PRE> | ||
+ | CDD/1/7/11 DD Material 11 | ||
+ | Titles sound for I Think in Shapes: Henry Moore (1968) | ||
+ | FORMER REFERENCE: DD048 DATE: 1968 CONTAINS: I Think In Shapes Not Words: Henry Moore | ||
+ | MEDIUM: 10.5" reel, ¼" tape TAPE SPEED: 15ips DURATION: 00:01:57 | ||
+ | LABELS: [Reel label:] DD Material 11. [Written on reel:] MASTER / 22a | ||
+ | NOTES: A section of musique concrète-like sound used for the opening of a John Gibson documentary about the 1968 Henry Moore retrospective at the Tate. The source material (heard during the programme) is Moore hitting a large, hollow, bronze sculpture. | ||
+ | </PRE> | ||
[[Category:Tape]] | [[Category:Tape]] |
Latest revision as of 18:50, 12 May 2020
DD048 is the Initial Catalogue number of one of Delia's Attic Tapes with makeup for I Think In Shapes.
Mark Ayres' notes
Type: 10.5" reel, 1/4" tape, Label: DD Material 11
Louis Niebur's notes
DD048 – D.D. Material 11 Recorded at both 7.5 and 15ips, because they both sound good. Short atmostpheric cue with “racquetball” bouncing sounds
James Percival's notes
CDD/1/7/11 DD Material 11 Titles sound for I Think in Shapes: Henry Moore (1968) FORMER REFERENCE: DD048 DATE: 1968 CONTAINS: I Think In Shapes Not Words: Henry Moore MEDIUM: 10.5" reel, ¼" tape TAPE SPEED: 15ips DURATION: 00:01:57 LABELS: [Reel label:] DD Material 11. [Written on reel:] MASTER / 22a NOTES: A section of musique concrète-like sound used for the opening of a John Gibson documentary about the 1968 Henry Moore retrospective at the Tate. The source material (heard during the programme) is Moore hitting a large, hollow, bronze sculpture.