Difference between revisions of "Esperienze di Computer Music"
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| − | Among Delia's [[Attic Papers]] is a pamphlet ''[[Esperienze di Computer Music]]'' in Italian, dated January 1969.<ref>[[DD284]]: "Pamphlet, Esperienze di Computer Music, gennaio 1969 (Italian)" in the [[Initial Catalogue]].</ref> | + | Among Delia's [[Attic Papers]] is a pamphlet ''[[Esperienze di Computer Music]]'' in Italian, dated January 1969.<ref>[[DD284]]: "Pamphlet, ''Esperienze di Computer Music'', gennaio 1969 (Italian)" in the [[Initial Catalogue]].</ref> |
| − | The pamphlet's author is Pietro Grossi<ref name=biog>[https://www.pietrogrossi.org/bibliografia Pietro Grossi's official bibliography]</ref> and it seems to refer to an event organized by Pietro Grossi of the ''Studio di Fonologia Musicale di Firenze'' and held at General Electric's plant in Pregnana Milanese, in which | + | The pamphlet's author is [[Pietro Grossi]]<ref name=biog>[https://www.pietrogrossi.org/bibliografia Pietro Grossi's official bibliography]</ref> and it seems to refer to an event organized by Pietro Grossi of the ''Studio di Fonologia Musicale di Firenze'' and held at General Electric's plant in Pregnana Milanese, in which |
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
| − | A gigantic computer, by means of perforated cards, was made to play Paganini's ''Fifth Caprice'' and extracts of Bach's ''Musical Offering''.<ref>Translated from Tommaso Rosati's [https://www.tommasorosati.it/wp-content/uploads/2016/01/Storia4_ComputerMusic.pdf ''Computer Music: Storia 4''] | + | A gigantic computer, by means of perforated cards, was made to play Paganini's ''Fifth Caprice'' and extracts of Bach's ''Musical Offering''.<ref>Translated from Tommaso Rosati's [https://www.tommasorosati.it/wp-content/uploads/2016/01/Storia4_ComputerMusic.pdf ''Computer Music: Storia 4''], p.7.</ref> |
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
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=Availability= | =Availability= | ||
* There should be Delia's copy at the [[John Rylands Library]]. | * There should be Delia's copy at the [[John Rylands Library]]. | ||
* The paper was reprinted as part of Pietro Grossi's book ''Musica senza musicisti''.<ref name=biog/> | * The paper was reprinted as part of Pietro Grossi's book ''Musica senza musicisti''.<ref name=biog/> | ||
| − | * The ''Caprice'' played at this event | + | * The ''Caprice'' played at this event can be heard [https://www.pietrogrossi.org/audio-sample/capriccio-1 on Pietro Grossi's web site]. |
| + | {{Play|Grossi - Capriccio 1}} | ||
=References= | =References= | ||
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[[Category:Book]] | [[Category:Book]] | ||
| + | [[Category:Event]] | ||
Latest revision as of 14:29, 24 January 2022
Among Delia's Attic Papers is a pamphlet Esperienze di Computer Music in Italian, dated January 1969.[1]
The pamphlet's author is Pietro Grossi[2] and it seems to refer to an event organized by Pietro Grossi of the Studio di Fonologia Musicale di Firenze and held at General Electric's plant in Pregnana Milanese, in which
A gigantic computer, by means of perforated cards, was made to play Paganini's Fifth Caprice and extracts of Bach's Musical Offering.[3]
Availability
- There should be Delia's copy at the John Rylands Library.
- The paper was reprinted as part of Pietro Grossi's book Musica senza musicisti.[2]
- The Caprice played at this event can be heard on Pietro Grossi's web site.
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| Problems listening to this file? See media help. | |
References
- ↑ DD284: "Pamphlet, Esperienze di Computer Music, gennaio 1969 (Italian)" in the Initial Catalogue.
- ↑ 2.0 2.1 Pietro Grossi's official bibliography
- ↑ Translated from Tommaso Rosati's Computer Music: Storia 4, p.7.
