Difference between revisions of "Closed Planet"

From WikiDelia
Jump to navigationJump to search
Line 21: Line 21:
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
  
=Structure=
+
=Scenes=
It was constructed from four makeup tapes<ref name=DD161912>[[DD161912]]: Pink notes for Closed Planet, page 1.</ref> on the [[TR90]] and other equipment.
+
Listening to it, the parts with different Delian backgrounds are:
 +
Part 1:
 +
* 00:00-07:10: Intro and meteor hit to the spaceship (Spaceship interior background, a whistle)
 +
* 07:10-08:10: Records Office interior (hum with tremolo)
 +
* 08:10-10:52: Working on the engines (as above with noise and computer beeps and internals)
 +
** 08:37-08:53 Loudest/clearest samples of engine room background
 +
* 10:52-19:34 Orbiting the planet
 +
* 19:34-24:26 The ambassador's visit to the spaceship
 +
** 22:35-22:45 Sombre chords "This is understood"
 +
* 24:26-30:11 First moments on the planet surface. No sound except for:
 +
** 28:35-28:51 Arrival of the ambassador's flycar
 +
Part 2:
 +
* 30:14-32:07 Consternation and alarm
 +
** 31:40-31:43 The alarm
 +
* 32:07-45:37 Listening to police radio (no background)
 +
** 32:32-32:30 Alien speech (backwards human speech)
 +
** 42:50-43:10 "Good night" (shimmering enchantment)
 +
* 45:37-48:18 Flycar takeoff, interior background and landing
 +
* 48:18-55:32 On the planet surface (filtered noise then silence)
 +
* 55:32-57:23 "Look at this tiny child here", ship takeoff and outro.
  
Roughly:
+
Most of Delia's backgrounds start with a musical effect which then fades into the background sound for the scene, lasting throughout it and punctuating the dialogue with effects.
* Band 1: Intro and meteor hit to the spaceship (Spaceship interior background)
+
 
* Band 2: Working on the engines (Engine room background)
+
=Makeup tapes=
* Band 3: Spaceship landing and planet surface
+
Delia constructed it with four makeup tapes<ref name=DD161912>[[DD161912]]: Pink notes for Closed Planet, page 1.</ref> on the [[TR90]] and [[Ferrograph]] tape recorders and the "[[KU]]" and "[[RGD]]", whatever they are, and seems to reuse elements of [[Time On Our Hands]] in one place.
* Band 4: Alien speech, spaceship takeoff and outro
+
 
 +
The four tapes contain:<ref name=DD161912/>
 +
* Tape 1: basic inc- high sine
 +
* Tape 2:
 +
** Band 1: opening
 +
** Band 2: timed slides
 +
** Band 3: timed K.U.
 +
** Band 4: [[Ferrograph|Ferro]] loop / [[Time On Our Hands|TOOH]] + sliding using the [[RGD]] and [[TR90]]
 +
** Band 5: band of times slides
 +
** Band 6: timed K.U. arpegs.
 +
** Band 7: Copy + E of Ferro loop
 +
* Tape 3: first mix with []<ref>'''[]''': Square waves.</ref>
 +
* Tape 4:
 +
** Band 1: loud bass distortion
 +
** Band 2: q.u.[?]
 +
** Band 3: filthy
 +
** Band 4: good (first mark[?] now on tape 2) using the [[Ferrograph]], [[TR90]] and [[KU]].
  
 
=Extracts=
 
=Extracts=
==Opening==
+
* Opening
 
"Very high and eerie, desc. semitones, down to steady far mar[?]. Moving forward - higher and further."<ref>[[DD161932]]: Pink notes for Closed Planet, page 2.</ref>
 
"Very high and eerie, desc. semitones, down to steady far mar[?]. Moving forward - higher and further."<ref>[[DD161932]]: Pink notes for Closed Planet, page 2.</ref>
 
{{Spectrogallery|Closed Planet - Opening}}
 
{{Spectrogallery|Closed Planet - Opening}}
==Meteor warning and strike==
+
* Meteor warning and strike
 
{{Spectrogallery|Closed Planet - Meteor warning and strike}}
 
{{Spectrogallery|Closed Planet - Meteor warning and strike}}
==Chords "This is understood"==
+
* Chords "This is understood"
 
{{Spectrogallery|Closed Planet - Chords "This is understood"}}
 
{{Spectrogallery|Closed Planet - Chords "This is understood"}}
==Ship landing==
+
* Ship landing
 
{{Spectrogallery|Closed Planet - Ship landing}}
 
{{Spectrogallery|Closed Planet - Ship landing}}
==End of shift hooter==
+
*End of shift hooter
 
{{Spectrogallery|Closed Planet - End of shift hooter}}
 
{{Spectrogallery|Closed Planet - End of shift hooter}}
==Arrival of the flycar==
+
* Arrival of the flycar
 
{{Spectrogallery|Closed Planet - Arrival of the flycar}}
 
{{Spectrogallery|Closed Planet - Arrival of the flycar}}
==Good Night==
+
* Good Night
 
{{Spectrogallery|Closed Planet - Good night}}
 
{{Spectrogallery|Closed Planet - Good night}}
==Takeoff==
+
* Flycar takeoff
 
{{Spectrogallery|Closed Planet - Takeoff}}
 
{{Spectrogallery|Closed Planet - Takeoff}}
==Landing==
+
* Flycar anding
 
{{Spectrogallery|Closed Planet - Landing}}
 
{{Spectrogallery|Closed Planet - Landing}}
==Ship takeoff and outro==
+
* Ship takeoff and outro
 
{{Spectrogallery|Closed Planet - Ship takeoff and outro}}
 
{{Spectrogallery|Closed Planet - Ship takeoff and outro}}
  

Revision as of 16:40, 6 January 2016

DD161932 (detail)

Delia created effects and backgrounds for a 1962 science fiction radio drama Closed Planet by John Hynam[1] for the BBC Light Programme.[2]

On one of her papers for Closed Planet, Delia notes an idea for Time On Our Hands,[3] which is also from 1962.

In January 2016, it turned up in an enthusiasts' archive of American radio programmes when it was rebroadcast as episode 49 of "SciFi Friday".

Plot

A spaceship far from Earth is hit by meteors, one engine is damaged, and they obtain special permission, given the circumstances, to land on a planet where visit are not allowed from other civilizations

While the crew is on the planet, a black african member of the crew steals one of the alien guard's vehicles, drives into town, complains about the drinks that they serve there, is arrested, runs from the police and is shot. The rest of the crew have to repair their vessel and make a hasty retreat into space.

Meanwhile, one of the crew members has a baby.

The Radio Times entry described it as:

Time: Somewhere in the future
In the New Age interplanetary travel has become an everyday occurrence. and Time rather than Distance now sets the only limit on man's exploration of the universe. It seems, however, that Outer Space. like our own familiar world, also has secrets to hide, frontiers to guard, "security" zones to protect. Such a place is the "closed" planet, and only dire necessity may excuse the deliberate infringement of its astral neutrality by visitors from Earth.

Scenes

Listening to it, the parts with different Delian backgrounds are: Part 1:

  • 00:00-07:10: Intro and meteor hit to the spaceship (Spaceship interior background, a whistle)
  • 07:10-08:10: Records Office interior (hum with tremolo)
  • 08:10-10:52: Working on the engines (as above with noise and computer beeps and internals)
    • 08:37-08:53 Loudest/clearest samples of engine room background
  • 10:52-19:34 Orbiting the planet
  • 19:34-24:26 The ambassador's visit to the spaceship
    • 22:35-22:45 Sombre chords "This is understood"
  • 24:26-30:11 First moments on the planet surface. No sound except for:
    • 28:35-28:51 Arrival of the ambassador's flycar

Part 2:

  • 30:14-32:07 Consternation and alarm
    • 31:40-31:43 The alarm
  • 32:07-45:37 Listening to police radio (no background)
    • 32:32-32:30 Alien speech (backwards human speech)
    • 42:50-43:10 "Good night" (shimmering enchantment)
  • 45:37-48:18 Flycar takeoff, interior background and landing
  • 48:18-55:32 On the planet surface (filtered noise then silence)
  • 55:32-57:23 "Look at this tiny child here", ship takeoff and outro.

Most of Delia's backgrounds start with a musical effect which then fades into the background sound for the scene, lasting throughout it and punctuating the dialogue with effects.

Makeup tapes

Delia constructed it with four makeup tapes[3] on the TR90 and Ferrograph tape recorders and the "KU" and "RGD", whatever they are, and seems to reuse elements of Time On Our Hands in one place.

The four tapes contain:[3]

  • Tape 1: basic inc- high sine
  • Tape 2:
    • Band 1: opening
    • Band 2: timed slides
    • Band 3: timed K.U.
    • Band 4: Ferro loop / TOOH + sliding using the RGD and TR90
    • Band 5: band of times slides
    • Band 6: timed K.U. arpegs.
    • Band 7: Copy + E of Ferro loop
  • Tape 3: first mix with [][4]
  • Tape 4:
    • Band 1: loud bass distortion
    • Band 2: q.u.[?]
    • Band 3: filthy
    • Band 4: good (first mark[?] now on tape 2) using the Ferrograph, TR90 and KU.

Extracts

  • Opening

"Very high and eerie, desc. semitones, down to steady far mar[?]. Moving forward - higher and further."[5] Closed Planet - Opening - Spectrogram.jpg

  • Meteor warning and strike

Closed Planet - Meteor warning and strike - Spectrogram.jpg

  • Chords "This is understood"

Closed Planet - Chords "This is understood" - Spectrogram.jpg

  • Ship landing

Closed Planet - Ship landing - Spectrogram.jpg

  • End of shift hooter

Closed Planet - End of shift hooter - Spectrogram.jpg

  • Arrival of the flycar

Closed Planet - Arrival of the flycar - Spectrogram.jpg

  • Good Night

Closed Planet - Good night - Spectrogram.jpg

  • Flycar takeoff

Closed Planet - Takeoff - Spectrogram.jpg

  • Flycar anding

Closed Planet - Landing - Spectrogram.jpg

  • Ship takeoff and outro

Closed Planet - Ship takeoff and outro - Spectrogram.jpg

Papers

Availability

  • Broadcast on 24 October 1962 at 20.31 on the Light Programme.[1]
  • Its rebroadcast as episode 49 of American radio series "SciFi Friday" is archived in the OTRR Library, from which the following is cropped.

Reference

  1. 1.0 1.1 Closed Planet] on the BBC Genome Project.
  2. DD162002: Yellow notes for Closed Planet, page 1.
  3. 3.0 3.1 3.2 DD161912: Pink notes for Closed Planet, page 1.
  4. []: Square waves.
  5. DD161932: Pink notes for Closed Planet, page 2.