Difference between revisions of "DD138"
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| − | + | [[DD138]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing recordings of [[Bach]]'s music. | |
| + | =[[Initial Catalogue|Mark Ayres' notes]]= | ||
| + | <PRE> | ||
Type: 6" reel, 1/4" tape | Type: 6" reel, 1/4" tape | ||
| + | Label: No label | ||
| + | Description: 1/4 track 3 3/4 ips. Various unidentified classical recordings. | ||
| + | </PRE> | ||
| − | + | =[[DD Audio Files Commentary|Louis Niebur's notes]]= | |
| + | <PRE> | ||
| + | DD138 – Various classical recordings | ||
| + | Timings all over the place. Mostly tail out and 3¾. Some 7½?, some reversed. Separate channels as well. Needs sorting. Bach organ music (Toccata and Fugue in D Minor, passacaglia, etc.) | ||
| + | </PRE> | ||
| + | |||
| + | =[[Delia Derbyshire's Creative Process|James Percival's notes]]= | ||
| + | <PRE> | ||
| + | CDD/1/8/26 Bach: organ music | ||
| + | Unidentified copies of disc recordings | ||
| + | FORMER REFERENCE: DD138 | ||
| + | MEDIUM: 6" reel, ¼" tape TAPE SPEED: 3.75ips/7.5ips | ||
| + | LABELS: [No label] | ||
| + | NOTES: Toccata and Fugue in D Minor, Passacaglia and others. ¼ track, 3¾ ips. | ||
| − | + | </PRE> | |
[[Category:Tape]] | [[Category:Tape]] | ||
Latest revision as of 13:00, 15 May 2020
DD138 is the Initial Catalogue number of one of Delia's Attic Tapes containing recordings of Bach's music.
Mark Ayres' notes
Type: 6" reel, 1/4" tape Label: No label Description: 1/4 track 3 3/4 ips. Various unidentified classical recordings.
Louis Niebur's notes
DD138 – Various classical recordings Timings all over the place. Mostly tail out and 3¾. Some 7½?, some reversed. Separate channels as well. Needs sorting. Bach organ music (Toccata and Fugue in D Minor, passacaglia, etc.)
James Percival's notes
CDD/1/8/26 Bach: organ music Unidentified copies of disc recordings FORMER REFERENCE: DD138 MEDIUM: 6" reel, ¼" tape TAPE SPEED: 3.75ips/7.5ips LABELS: [No label] NOTES: Toccata and Fugue in D Minor, Passacaglia and others. ¼ track, 3¾ ips.
