Difference between revisions of "Martin Hannett"

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(Created page with "According to a [https://boomkat.com/products/the-synth-and-electronic-recording-exchanges an album review on Boomkat], <BLOCKQUOTE> During the ‘70s, a young Hannett, obsesse...")
 
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According to a [https://boomkat.com/products/the-synth-and-electronic-recording-exchanges an album review on Boomkat],
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According to [https://boomkat.com/products/the-synth-and-electronic-recording-exchanges the review on Boomkat] of a strange album
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''[[The Synth and Electronic Recording Exchanges]]'':
 
<BLOCKQUOTE>
 
<BLOCKQUOTE>
During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging taps] with a mind to eventually releasing them one day.
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During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging tapes] with a mind to eventually releasing them one day.
 
Sadly they both departed before this release was OKayed.
 
Sadly they both departed before this release was OKayed.
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>

Revision as of 14:36, 10 November 2019

According to the review on Boomkat of a strange album The Synth and Electronic Recording Exchanges:

During the ‘70s, a young Hannett, obsessed with Delia’s work on the Doctor Who soundtrack, struck up a long-running dialogue, swapping their electronic experiments [by exchanging tapes] with a mind to eventually releasing them one day. Sadly they both departed before this release was OKayed.

The album is

supposedly a back and forth, one track from Delia then one by Martin, but the sequencing feels arbitrary and a bit of a mess, skipping from Hannett’s baroque twils to dark blasts of sci-fi analog electronics and back, over and again

Availability