Difference between revisions of "A Bayeux Tapestry"

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Delia created speech and effects for a radio programme "[[A Bayeux Tapestry]]" produced by [[George MacBeth]] and [[Michael Mason]].
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Delia created speech and effects for a radio programme "[[A Bayeux Tapestry]]", °a historical imagination in concelebration of the ninth centenary of the Norman Conquest
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It was produced by [[George MacBeth]] and [[Michael Mason]] and the excerpt from 'The Song of Roland' was chanted by Brian Levy.<ref name=genome66/>
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As usual, "Special sound by the BBC Radiophonic Workshop".
 +
 
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<BLOCKQUOTE>
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'''A Tapestry of Sounds'''<BR>
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To make this programme we nave drawn on the full spectrum of sound: formal speech in poetry and prose-documentation; conversational commentary; radiophonically treated speech; pure radiophonic sound; music; documentary sound-painting. These strands we have sought to weave together into a sound tapestry which will liberate the imagination into the wide-screen epic of the Norman Conquest.
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<BR>[...]<BR>
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Particularly vital was the part played by Radiophonic Workshop, where the whole programme was assembled and acoustically controlled. The Workshop team's hours of patient work enabled England's voice to gather itself together out waves the Roman imperium to together own name in words of bronze, the Comet of 1066 to emit its eerie 'radio-signal.' Perhaps one of the most interesting individual ingredients thus treated was Brian Levy's chanting of verses from the Song of Roland in the original Norman French.<ref name=genome66/>
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</BLOCKQUOTE>
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<BLOCKQUOTE>
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[In 1967,] Michael Mason writes:<BR>
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&nbsp;&nbsp;&nbsp;When George MacBeth and I made A Bayeux Tapestry we had high ambitions. We wanted to produce total radio — something wholly conceived in terms of radio and impossible to do in any other medium. We wanted to produce a kind of communication which would lay hold of the listener from the cerebral top of his head to the psycho-physical pit of his stomach. We wanted to try and orchestrate together in an articulate musique concrète all the voices of the sound orchestra, from the discursive analytical reflection of the specialist historian to the brute thud and crunch of the Saxon war-axe on Norman armour and flesh.
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<BR>[...]<BR>
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&nbsp;&nbsp;&nbsp;We composed together elements like the Song of Roland and an electronic image of the Comet of 1066.
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[...] A Bayeux Tapestry had us all tearing our hair more than once during the making; but it was worth it to get a letter from one listener which called it simply the most cathartic radio ever, in my experience.<ref name=genome67/>
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</BLOCKQUOTE>
  
 
The tapes in the BBC Sound Archive consist of 12 reels:
 
The tapes in the BBC Sound Archive consist of 12 reels:
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10-12. Final Programme copy
 
10-12. Final Programme copy
 
</PRE>
 
</PRE>
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Further details are available in the BBC Written Archive on BBC WAC R51/1265/1 and R34/1382.<ref>[https://books.google.it/books?id=gWAVDAAAQBAJ&pg=PA428 ''Life on Air: A History of Radio Four'' by David Hendy, p.428], note 24 to Chapter 3.</ref>
  
 
=Availability=
 
=Availability=
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* Broadcast on the 13th October 1966 at 7:50pm on the Third Programme.<ref name=TLL6442/>
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* First broadcast on the 13th October 1966 at 7:50pm on the Third Programme.<ref name=TLL6442/><ref name=genome66>[http://genome.ch.bbc.co.uk/0091dbe57a5748f2b74f6cf040737a76 Its ''Radio Times'' entry for the 13th October 1966] on the BBC Genome Project.</ref>
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* Repeated:
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** BBC Radio 3, 1 November 1967 20.35<ref name=genome67>[http://genome.ch.bbc.co.uk/ad13b97151c744929699b7f045cc481c Its ''Radio Times'' entry for the 1st November 1967] on the BBC Genome Project.</ref>
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** BBC Radio 4 FM, 2 November 1969 14.30
 
* In the BBC Sound Archive on tape [[TRW 6442]]: "A Bayeux Tapestry".<ref name=TLL6442>The [[Tape Library List]]'s entry for [[TRW 6442]].</ref>
 
* In the BBC Sound Archive on tape [[TRW 6442]]: "A Bayeux Tapestry".<ref name=TLL6442>The [[Tape Library List]]'s entry for [[TRW 6442]].</ref>
 
* The BBC Sound Archive tape [[TRW 6557]]: "Bayeux Tapestry effects", a copy made in September 1966 for the Sound Effect Centre, is not to be found.<ref name=TLL6557>The [[Tape Library List]]'s entry for [[TRW 6557]].</ref>
 
* The BBC Sound Archive tape [[TRW 6557]]: "Bayeux Tapestry effects", a copy made in September 1966 for the Sound Effect Centre, is not to be found.<ref name=TLL6557>The [[Tape Library List]]'s entry for [[TRW 6557]].</ref>

Revision as of 16:48, 25 May 2016

Delia created speech and effects for a radio programme "A Bayeux Tapestry", °a historical imagination in concelebration of the ninth centenary of the Norman Conquest

It was produced by George MacBeth and Michael Mason and the excerpt from 'The Song of Roland' was chanted by Brian Levy.[1]

As usual, "Special sound by the BBC Radiophonic Workshop".

A Tapestry of Sounds
To make this programme we nave drawn on the full spectrum of sound: formal speech in poetry and prose-documentation; conversational commentary; radiophonically treated speech; pure radiophonic sound; music; documentary sound-painting. These strands we have sought to weave together into a sound tapestry which will liberate the imagination into the wide-screen epic of the Norman Conquest.
[...]
Particularly vital was the part played by Radiophonic Workshop, where the whole programme was assembled and acoustically controlled. The Workshop team's hours of patient work enabled England's voice to gather itself together out waves the Roman imperium to together own name in words of bronze, the Comet of 1066 to emit its eerie 'radio-signal.' Perhaps one of the most interesting individual ingredients thus treated was Brian Levy's chanting of verses from the Song of Roland in the original Norman French.[1]

[In 1967,] Michael Mason writes:
   When George MacBeth and I made A Bayeux Tapestry we had high ambitions. We wanted to produce total radio — something wholly conceived in terms of radio and impossible to do in any other medium. We wanted to produce a kind of communication which would lay hold of the listener from the cerebral top of his head to the psycho-physical pit of his stomach. We wanted to try and orchestrate together in an articulate musique concrète all the voices of the sound orchestra, from the discursive analytical reflection of the specialist historian to the brute thud and crunch of the Saxon war-axe on Norman armour and flesh.
[...]
   We composed together elements like the Song of Roland and an electronic image of the Comet of 1066. [...] A Bayeux Tapestry had us all tearing our hair more than once during the making; but it was worth it to get a letter from one listener which called it simply the most cathartic radio ever, in my experience.[2]

The tapes in the BBC Sound Archive consist of 12 reels: 

1. FX tape A
2. FX tape AA
3. FX tape B
4. FX tape BB
5. FX tape BB/C
6. Final speech C
7. Final speech D
8. Final speech E
9. Final speech F
10-12. Final Programme copy

Further details are available in the BBC Written Archive on BBC WAC R51/1265/1 and R34/1382.[3]

Availability

  • First broadcast on the 13th October 1966 at 7:50pm on the Third Programme.[4][1]
  • Repeated:
    • BBC Radio 3, 1 November 1967 20.35[2]
    • BBC Radio 4 FM, 2 November 1969 14.30
  • In the BBC Sound Archive on tape TRW 6442: "A Bayeux Tapestry".[4]
  • The BBC Sound Archive tape TRW 6557: "Bayeux Tapestry effects", a copy made in September 1966 for the Sound Effect Centre, is not to be found.[5]

References

  1. ↑ 1.0 1.1 1.2 Its Radio Times entry for the 13th October 1966 on the BBC Genome Project.
  2. ↑ 2.0 2.1 Its Radio Times entry for the 1st November 1967 on the BBC Genome Project.
  3. ↑ Life on Air: A History of Radio Four by David Hendy, p.428, note 24 to Chapter 3.
  4. ↑ 4.0 4.1 The Tape Library List's entry for TRW 6442.
  5. ↑ The Tape Library List's entry for TRW 6557.
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