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- [[DD258]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing recordings of lyre and clarinet for ''[[Pompei Recorded at 15” (although it sounds too high, Delia’s voice can be heard occasionally in the background at this speed)1 KB (180 words) - 13:22, 20 September 2021
- [[DD269]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing imitation whale song and material for ''[[Tuta Label: SciFi Backgrounds and Boshes, Whale Space. Poss Delia (BH label)1 KB (174 words) - 09:22, 30 September 2021
- [[DD162]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], the master tape for [[Ron Grainer]]'s ''[[Bread]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (174 words) - 15:14, 15 May 2020
- [[DD026]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Singing Waters]]''. ...faster women’s voice with electronic tone treatmentDraft version of Delia Derbyshire track listings2 KB (269 words) - 17:43, 12 May 2020
- [[DD040]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for the ''[[Stratford Macbeth]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (141 words) - 18:29, 12 May 2020
- [[DD074]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Electrosonic]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1,023 bytes (146 words) - 19:03, 14 May 2020
- In 1964, Delia provided the answer to the question "How is electronic music produced?". ...edge combined with a musical training and a sense of dramatic ability. (To Delia) So, in this workshop you can turn practically any sound into a form of mus2 KB (337 words) - 12:27, 27 July 2014
- [[DD112]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (153 words) - 11:34, 3 July 2020
- [[DD048]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] with makeup for ''[[I Think In Shapes]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (159 words) - 18:50, 12 May 2020
- [[DD166]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing [[Ray Davies]]' song ''Got To Be Free'', for =[[Delia Derbyshire's Creative Process|James Percival's notes]]=993 bytes (143 words) - 15:33, 15 May 2020
- [[DD197]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing a recording of a radio programme about throat =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (154 words) - 16:55, 23 May 2020
- [[DD168]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (152 words) - 15:40, 15 May 2020
- [[DD148]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing a copy of [[George Newson]]'s piece ''[[One Un =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (164 words) - 14:24, 15 May 2020
- '''DD028''' is the catalogue number of one of Delia's tapes. [[DD028]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]].1 KB (170 words) - 17:47, 12 May 2020
- [[Chronicle Title]] is Delia's 1969<ref name=Wee>[[Wee_have_also_sound-houses_(article)|Wee also have so <BR> -- Delia in the [[Soundhouse interview]]2 KB (286 words) - 14:10, 24 February 2024
- ...nd Delia Derbyshire were the "soundsmiths", the others were "tunesmiths". "Delia was manipulating recorded sounds, but in a musical way," Mills explains. "I530 bytes (76 words) - 02:53, 3 January 2015
- ...3220]] is a letter dated 2nd April 1962 from The British Film Institute to Delia about her membership. Miss D. Derbyshire,1 KB (132 words) - 22:23, 22 May 2016
- ...Lovesexy''. It was also released as "Clouds" but wrongly credited to Delia Derbyshire on a 2-CD bootleg called "Wow!" released by "Eye" Records in 2008.”<r [[Category:Pieces wrongly attributed to Delia]]538 bytes (80 words) - 09:46, 29 February 2016
- In 1964 and 1965, Delia worked with playwright<ref>[http://www.filmreference.com/film/98/Barry-Berm Delia Derbyshire created some very, very beautiful things and some things that had a kind of652 bytes (92 words) - 10:00, 30 August 2021
- [[DD118]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing a shorter, slower version of ''[[Dance from No =[[Delia Derbyshire's Creative Process|James Percival's notes]]=1 KB (166 words) - 12:05, 15 May 2020