Karlheinz Stockhausen

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Delia had an exploratory encounter with Karlheinz Stockhausen.[1]

Louis Niebur says that Delia admired Stockhausen's piece Gesang der Jünglinge,[2] though he gives no source for this assertion, and one of her Attic Tapes is labelled "Stockhausen Study 2".[3]

Louis Niebur says that Delia admired[4] Karlheinz Stockhausen's 1955-56[5] piece Gesang der Jünglinge, described as "the first masterpiece of electronic music",[5] though he gives no source for this assertion.

Jonathan Harvey says that "the overall structure of Gesang der Jünglinge is remarkably like that of Electronic Study 2; both final sections combine and develop the ideas stated in the preceding sections."[5]

References