Difference between revisions of "Angels"

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Delia created a "choir texture" for the middle<ref>''[[Amor Dei]]'' has four movements so he probably means the second movement, ''[[Rorate Coeli]]''.</ref> movement of ''[[Amor Dei]]'' and reused it in ''[[Tutankhamun's Egypt]]'' and ''[[Ways of Seeing]]''.<ref>[[Delia Derbyshire's Creative Process]], Appendix 2, CDD/1/2/17 Angels.</ref>
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Delia created a "choir texture" for the middle movement of ''[[Amor Dei]]'' and reused it in ''[[Tutankhamun's Egypt]]'' and ''[[Ways of Seeing]]''.<ref>[[Delia Derbyshire's Creative Process]], Appendix 2, CDD/1/2/17 Angels.</ref>
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''[[Amor Dei]]'' has four movements so he probably means the second movement, ''[[Rorate Coeli]]'', though the same makeup reappears in the last movement and is used at half speed in the first movement, at the start of which it appears without anyone talking over it.
  
 
=Availability=
 
=Availability=

Revision as of 12:09, 20 September 2021

Delia created a "choir texture" for the middle movement of Amor Dei and reused it in Tutankhamun's Egypt and Ways of Seeing.[1]

Amor Dei has four movements so he probably means the second movement, Rorate Coeli, though the same makeup reappears in the last movement and is used at half speed in the first movement, at the start of which it appears without anyone talking over it.

Availability

References

  1. Delia Derbyshire's Creative Process, Appendix 2, CDD/1/2/17 Angels.