Difference between revisions of "DD102148"
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[[DD102148]] is a letter dated 21st July 1970 to Delia "herewith cheque for Poetry from Prison..." | [[DD102148]] is a letter dated 21st July 1970 to Delia "herewith cheque for Poetry from Prison..." | ||
| + | <BR CLEAR=ALL> | ||
| + | =Transcript= | ||
| + | <PRE> | ||
| + | 24 Sydney Street, London SW3 | ||
| + | 21st July, 1970 | ||
| + | Dear Delia, | ||
| + | Herewith a cheque in payment for 'Poetry fro Prison': | ||
| + | £80 for you, and £5 in addition, which you advanced to Hedley. Since | ||
| + | I have no note of Hedley's address, I'm enclosing a note plus | ||
| + | cheque for him. Could you be very kind and forward it, please? | ||
| + | |||
| + | I have paid John E. Moore for the hire of the sound-equipment, but | ||
| + | have not paid the sound engineer for that night. Do you know his | ||
| + | name, and the means of getting in touch with him? I propose to pay | ||
| + | him £12:12:0, as this is what I paid the other sound engineer (who | ||
| + | did the subsequent programmes) for each of the evenings he | ||
| + | worked for me. I imagine that will be all right= | ||
| + | I loved doing the programme with you, and I hope very much that | ||
| + | there will be opportunities to work together again. I'll try to | ||
| + | pin down my partner in Turret, Bernard Stone, on the subject of doing | ||
| + | a limited edition record; he seemed to think it was a good idea, | ||
| + | but is still a bit vague about _when_. | ||
| + | |||
| + | love, | ||
| + | TM [?] | ||
| + | </PRE> | ||
[[Category:Paper]] | [[Category:Paper]] | ||
Revision as of 00:20, 30 January 2021
DD102148 is a letter dated 21st July 1970 to Delia "herewith cheque for Poetry from Prison..."
Transcript
24 Sydney Street, London SW3
21st July, 1970
Dear Delia,
Herewith a cheque in payment for 'Poetry fro Prison':
£80 for you, and £5 in addition, which you advanced to Hedley. Since
I have no note of Hedley's address, I'm enclosing a note plus
cheque for him. Could you be very kind and forward it, please?
I have paid John E. Moore for the hire of the sound-equipment, but
have not paid the sound engineer for that night. Do you know his
name, and the means of getting in touch with him? I propose to pay
him £12:12:0, as this is what I paid the other sound engineer (who
did the subsequent programmes) for each of the evenings he
worked for me. I imagine that will be all right=
I loved doing the programme with you, and I hope very much that
there will be opportunities to work together again. I'll try to
pin down my partner in Turret, Bernard Stone, on the subject of doing
a limited edition record; he seemed to think it was a good idea,
but is still a bit vague about _when_.
love,
TM [?]
