Difference between revisions of "DD275"
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| − | + | [[DD275]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing an unidentified one-minute VCS3 track by Delia. | |
| + | =[[Initial Catalogue|Mark Ayres' notes]]= | ||
| + | <PRE> | ||
Type: 10.5" reel, 1/4" tape | Type: 10.5" reel, 1/4" tape | ||
| + | Label: Master? (BH label) | ||
| + | Description: Banded master? To be identified | ||
| + | </PRE> | ||
| − | + | =[[DD Audio Files Commentary|Louis Niebur's notes]]= | |
| + | <PRE> | ||
| + | DD275 – Master (BH) | ||
| + | Banded Master, to be identified | ||
| + | At 6:25, new tune, bleepy with echo, begins | ||
| + | </PRE> | ||
| − | + | =[[Delia Derbyshire's Creative Process|James Percival's notes]]= | |
| + | <PRE> | ||
| + | CDD/1/7/63 DD275 | ||
| + | Unidentified VCS3 music | ||
| + | FORMER REFERENCE: DD275 | ||
| + | DATE: [post-1969] | ||
| + | MEDIUM: 10.5" reel, ¼" tape | ||
| + | LABELS: [Reel label, Brian Hodgson's hand:] MASTER? | ||
| + | NOTES: A 1' VCS3-based track, twice, with several distinct layers of harmony, arpeggios and delay effect. | ||
| + | The scale is not equally tempered. Followed by individual makeup tracks with alignment tones. | ||
| + | The harmonic sense suggests that this is Derbyshire's work. | ||
| + | </PRE> | ||
[[Category:Tape]] | [[Category:Tape]] | ||
Revision as of 09:53, 30 September 2021
DD275 is the Initial Catalogue number of one of Delia's Attic Tapes containing an unidentified one-minute VCS3 track by Delia.
Mark Ayres' notes
Type: 10.5" reel, 1/4" tape Label: Master? (BH label) Description: Banded master? To be identified
Louis Niebur's notes
DD275 – Master (BH) Banded Master, to be identified At 6:25, new tune, bleepy with echo, begins
James Percival's notes
CDD/1/7/63 DD275 Unidentified VCS3 music FORMER REFERENCE: DD275 DATE: [post-1969] MEDIUM: 10.5" reel, ¼" tape LABELS: [Reel label, Brian Hodgson's hand:] MASTER? NOTES: A 1' VCS3-based track, twice, with several distinct layers of harmony, arpeggios and delay effect. The scale is not equally tempered. Followed by individual makeup tracks with alignment tones. The harmonic sense suggests that this is Derbyshire's work.
