Difference between revisions of "Macbeth (1971)"

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For other versions, see [[Macbeth]].
 
For other versions, see [[Macbeth]].
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Apart from the sound effects, the most interesting track must surely be the Witches Dance.<ref>[[DD135820]]: Delia's handwritten notes: "1. Cue missed?"</ref>
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=Reviews=
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“a production with some interesting effects
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of sound and vision for the supernatural and a semi-musical setting of the witch chants in contemporary idioms.”<ref name=DD140726/>
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“The [characters] are of no period or place and the sounds around them are electronic and anonymous.”<ref>B. A. Young in ''The Financial Times'', quoted in [[Breege Brennan's thesis]].</ref>
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“They sing their cauldron recipe to a waltz song like the doctors in Wozzeck.”<ref name=DD140920/>
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“A great night for the noises off... a night of whistling and whinnying and the calls of whippoorwills, of electronic music for the witches' chants, of echo chambers and metallic vibrations from the back projected ghosts.”<ref name=DD140834/>
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“[The] production gets nearer the centre of the play than more ambitious rivals. Liberally employing what Henry Reed once dubbed “reinforced concrete music” and setting the action on a tilted promontory suspended above two jagged edge rostra, it evokes the right atmosphere of eerie ambivalence in which nothing is but what is not.”<ref name=DD140642/>
  
 
=Track listing=
 
=Track listing=
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# ?
 
# ?
 
# Storm
 
# Storm
 
The most interesting track must surely be the Witches Dance.<ref>[[DD135820]]: Delia's handwritten notes: "1. Cue missed?"</ref>
 
 
=Reviews=
 
“a production with some interesting effects
 
of sound and vision for the supernatural and a semi-musical setting of the witch chants in contemporary idioms.”<ref name=DD140726/>
 
 
“The [characters] are of no period or place and the sounds around them are electronic and anonymous.”<ref>B. A. Young in ''The Financial Times'', quoted in [[Breege Brennan's thesis]].</ref>
 
 
“They sing their cauldron recipe to a waltz song like the doctors in Wozzeck.”<ref name=DD140920/>
 
 
“A great night for the noises off... a night of whistling and whinnying and the calls of whippoorwills, of electronic music for the witches' chants, of echo chambers and metallic vibrations from the back projected ghosts.”<ref name=DD140834/>
 
 
“[The] production gets nearer the centre of the play than more ambitious rivals. Liberally employing what Henry Reed once dubbed “reinforced concrete music” and setting the action on a tilted promontory suspended above two jagged edge rostra, it evokes the right atmosphere of eerie ambivalence in which nothing is but what is not.”<ref name=DD140642/>
 
  
 
=Papers=
 
=Papers=

Revision as of 19:17, 24 May 2016

Theatre programme cover

With Kaleidophon, Delia created sound for Ewan Hooper's production of Macbeth at the Greenwich Theatre, opening on the 18th February 1971.

For other versions, see Macbeth.

Apart from the sound effects, the most interesting track must surely be the Witches Dance.[1]

Reviews

“a production with some interesting effects of sound and vision for the supernatural and a semi-musical setting of the witch chants in contemporary idioms.”[2]

“The [characters] are of no period or place and the sounds around them are electronic and anonymous.”[3]

“They sing their cauldron recipe to a waltz song like the doctors in Wozzeck.”[4]

“A great night for the noises off... a night of whistling and whinnying and the calls of whippoorwills, of electronic music for the witches' chants, of echo chambers and metallic vibrations from the back projected ghosts.”[5]

“[The] production gets nearer the centre of the play than more ambitious rivals. Liberally employing what Henry Reed once dubbed “reinforced concrete music” and setting the action on a tilted promontory suspended above two jagged edge rostra, it evokes the right atmosphere of eerie ambivalence in which nothing is but what is not.”[6]

Track listing

From DD135914:

  1. Thunder & witches
  2. Cat
  3. Frog
  4. Dog
  5. Battle
  6. Witches
  7. Drum
  8. Witches disappear
  9. Cat
  10. Martletts[?]
  11. Witches
  12. Martlets[?]
  13. Rec coming[?] thunder
  14.  ?
  15. Storm

Papers

  • DD135529: Letter dated 23 March 1971 from Ewan Hooper thanking Delia and Brian for their work on Macbeth sound.
  • DD135629: Theatre programme: cover "First performance Feb. 18, 1971"
  • DD135700: Theatre programme: cast and article by Ewan Hooper
  • DD135745: Delia's handwritten notes: "1st sound - Change? (thicken thunder + echo)"
  • DD135820: Delia's handwritten notes: "1. Cue missed?"
  • DD135830: Zoom on top half of DD135820
  • DD135854: Zoom on bottom half of DD135820: "horses earlier please"
  • DD135914: Delia's handwritten notes: "1 - Thunder & witches"
  • DD135928: Delia's handwritten notes: "CUT DRUMS where trumpet [in] battle / (23) Cat"
  • DD135943: Delia's handwritten diagram of stage
  • DD140011: Delia's handwritten timing diagram "1 - 2.25" "Annette £50 Effects"
  • DD140025: Delia's handwritten notes: "Tape 1 - Tape 2" "39. 4th Apparit approach"
  • DD140051: Delia's handwritten notes: "Tape 1 - Tape 2" "1. Thunder + Witch B.G."
  • DD140104: Delia's handwritten notes: "35 .. 53" "Desk witches" (back of DD140051)
  • DD140140: Typewritten cue sheet: "MACBETH / Sound / I.1. Sea breaking against cliffs"
  • DD140152: Typewritten list of theatre personnel
  • DD140239: Typewritten cue sheet, page 1: "MACBETH / ACT I / 1. Thunder in the distance - 22. / ACT II / 23. - 29. Banquo arriving noise"
  • DD140302: Typewritten cue sheet, page 2: "30. Banquo arriving noise - 53. Witches' familiars together"
  • DD140336: Delia's handwritten notes: "Sea alone" ...
  • DD140402: Delia's handwritten notes: "P.3 Sea breaking & washing" ...
  • DD140425: Delia's Handwritten notes: "4 time / [A] Primitive vocal - mysterious, smokey"
  • DD140448: Delia's Handwritten notes: "4 time / [A] Organ - low reed - waw waw"
  • DD140505: VCS3 dope sheet: "Macbeth - twangy crochets"
  • DD140554: Newspaper clipping: "Lady Macbeth - or just Miss World?" by Herbert Kretzmer: a short and scathing review
  • DD140622: Newspaper clipping: "London gets a new Lady Macbeth", published one week before the opening night
  • DD140754: Newspaper clipping: the image of Hildegard Neil above the Fiddick review
  • DD140901: Newspaper clipping: "MILTON SHULMAN at the new Macbeth" from the Evening Standard: a mostly negative review.

References

  1. DD135820: Delia's handwritten notes: "1. Cue missed?"
  2. DD140726: Review "Macbeth" by Peter Fiddick.
  3. B. A. Young in The Financial Times, quoted in Breege Brennan's thesis.
  4. DD140920: Review "Macbeth" by B. A. Young
  5. DD140834: Review "Enter Corporal Macbeth" by Peter Lewis of the Daily Mail on 18th February.
  6. DD140642: Review "Macbeth" by Michael Billington in The Times newspaper.