Difference between revisions of "Pot-pourri"
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| − | It was also performed as the first piece of a concert of electronic music at the Queen Elizabeth Hall on 15th January 1968.<ref name=Routh20>Francis Routh, ''Contemporary British Music: The Twenty-Five Years from 1945 to 1970'' (1972), [http://www.musicweb-international.com/routh/Contemporary.htm Chapter 20: Electronic music and the Avant-garde: Electronic Music]</ref> | + | It was also performed as the first piece of a concert of electronic music at the [[Queen Elizabeth Hall]] on 15th January 1968.<ref name=Routh20>Francis Routh, ''Contemporary British Music: The Twenty-Five Years from 1945 to 1970'' (1972), [http://www.musicweb-international.com/routh/Contemporary.htm Chapter 20: Electronic music and the Avant-garde: Electronic Music]</ref> |
=Makeup and development= | =Makeup and development= | ||
| − | For | + | For the makeup elements used in [[Pot Pourri]], see [[Pot Au Feu#Makeup|Pot Au Feu]] which is a further development of this piece.<ref>''[[Delia Derbyshire's Creative Process]]'', pp.21-24.</ref> |
| − | [[Pot Au Feu]] which is a further development of this | ||
=Availability= | =Availability= | ||
Revision as of 16:41, 25 May 2017
Pot-pourri, 5 minutes long, seems to be a collage of extracts from her BBC work.
It was performed on 10th September 1966 as part of the Unit Delta Plus Concert of Electronic Music and the concert programme entry for it reads:
Each of the short sections was composed as a piece of introductory music for the BBC, with similar rhythms, melodic intervals and sound qualities.
It was also performed as the first piece of a concert of electronic music at the Queen Elizabeth Hall on 15th January 1968.[1]
Makeup and development
For the makeup elements used in Pot Pourri, see Pot Au Feu which is a further development of this piece.[2]
Availability
Unknown.
References
- ↑ Francis Routh, Contemporary British Music: The Twenty-Five Years from 1945 to 1970 (1972), Chapter 20: Electronic music and the Avant-garde: Electronic Music
- ↑ Delia Derbyshire's Creative Process, pp.21-24.
