http://wikidelia.net/index.php?title=The_Black_Mass&feed=atom&action=historyThe Black Mass - Revision history2024-03-29T13:01:02ZRevision history for this page on the wikiMediaWiki 1.32.2http://wikidelia.net/index.php?title=The_Black_Mass&diff=12484&oldid=prevMartinwguy at 19:36, 31 May 20162016-05-31T19:36:32Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Island Records are on the 'phone demanding a finished album and you've seven minutes of tape left and only one day to fill it, what would you do? Answer: the group-jam in a live performance. This was admittedly inspired by Pink Floyd's '<del class="diffchange diffchange-inline">Sauverful </del>of Secrets'with ex-dentist Paul Lytton on drum. Georgina Duncan wrote the <del class="diffchange diffchange-inline">lyris </del>at the beginning of the track.<ref>[http://web.archive.org/web/20090730193830/http://geocities.com/CapitolHill/Lobby/2554/whitenoise.html An archived copy of ''AN ELECTRONIC STORM: THE WHITE NOISE''] on geocities/capitolhill]</ref></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Island Records are on the 'phone demanding a finished album and you've seven minutes of tape left and only one day to fill it, what would you do? Answer: the group-jam in a live performance. This was admittedly inspired by Pink Floyd's '<ins class="diffchange diffchange-inline">Saucerful </ins>of Secrets' with ex-dentist Paul Lytton on drum. Georgina Duncan wrote the <ins class="diffchange diffchange-inline">lyrics </ins>at the beginning of the track.<ref>[http://web.archive.org/web/20090730193830/http://geocities.com/CapitolHill/Lobby/2554/whitenoise.html An archived copy of ''AN ELECTRONIC STORM: THE WHITE NOISE''] on geocities/capitolhill]</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BR>&nbsp;&nbsp;&nbsp;-- kk </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BR>&nbsp;&nbsp;&nbsp;-- kk </div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><BLOCKQUOTE></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The track owes no small debt to Pink Floyd's “Saucerful of Secrets” from the album of the same name, or the album “The United States of America”, both from 1968, but there is no doubt that “Black Mass” goes much further and is infinitely darker.<ref>[[Breege Brennan's thesis]]</ref></del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54" >Line 54:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“Black Mass: An Electric Storm in Hell” begins with an evenly-paced, closely-discordant male chanting accompanied by a “cello”. An organ plays briefly, and then the drumming begins. The drumming fades in and begins to spin around, completely encapsulating the listener. Other electronic sounds come and go, tentatively at first, punctuating the drumming, itself becoming more frantic. Suddenly a voice bursts in, screaming across the stereo, before falling off into the distance. The drums continue and the voices keep coming, sometimes male, sometimes female. More gargled voices, and sounds, suggestive of people being thrown into an abyss, with “a clatter of freeform drums, cavernous echo and chilling, animalistic screams”.<ref>[[Breege Brennan's thesis]]</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>“Black Mass: An Electric Storm in Hell” begins with an evenly-paced, closely-discordant male chanting accompanied by a “cello”. An organ plays briefly, and then the drumming begins. The drumming fades in and begins to spin around, completely encapsulating the listener. Other electronic sounds come and go, tentatively at first, punctuating the drumming, itself becoming more frantic. Suddenly a voice bursts in, screaming across the stereo, before falling off into the distance. The drums continue and the voices keep coming, sometimes male, sometimes female. More gargled voices, and sounds, suggestive of people being thrown into an abyss, with “a clatter of freeform drums, cavernous echo and chilling, animalistic screams”.<ref>[[Breege Brennan's thesis]]</ref></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=Lyrics=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*What* exactly does the gravelly voice at the beginning of the track say?</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Copyright=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Copyright=</div></td></tr>
</table>Martinwguyhttp://wikidelia.net/index.php?title=The_Black_Mass&diff=12483&oldid=prevMartinwguy at 19:27, 31 May 20162016-05-31T19:27:50Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 19:27, 31 May 2016</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''The Black Mass: Electric Storm in Hell'' is the last track of the album ''[[An Electric Storm]]''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''The Black Mass: Electric Storm in Hell'' is the last track of the album ''[[An Electric Storm]]''.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><BLOCKQUOTE></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Island Records are on the 'phone demanding a finished album and you've seven minutes of tape left and only one day to fill it, what would you do? Answer: the group-jam in a live performance. This was admittedly inspired by Pink Floyd's 'Sauverful of Secrets'with ex-dentist Paul Lytton on drum. Georgina Duncan wrote the lyris at the beginning of the track.<ref>[http://web.archive.org/web/20090730193830/http://geocities.com/CapitolHill/Lobby/2554/whitenoise.html An archived copy of ''AN ELECTRONIC STORM: THE WHITE NOISE''] on geocities/capitolhill]</ref></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></BLOCKQUOTE></ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Released on the album ''[[An Electric Storm]]''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Released on the album ''[[An Electric Storm]]''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Play|The Black Mass}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Play|The Black Mass}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">=External links=</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* There are more details in [http://web.archive.org/web/20090730193830/http://geocities.com/CapitolHill/Lobby/2554/whitenoise.html an archived copy of geocities/capitolhill]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=References=</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=References=</div></td></tr>
</table>Martinwguyhttp://wikidelia.net/index.php?title=The_Black_Mass&diff=10967&oldid=prevMartinwguy at 22:47, 3 December 20152015-12-03T22:47:46Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Achieves its ferocity without guitars although the group did rely on a thundering phased drum kit to hold together those sounds of screaming souls being struck by lightning in a godless void.<ref>[http://www.johncoulthart.com/feuilleton/2007/07/16/white-noise-electric-storms-radiophonics-and-the-delian-mode/ ''White Noise: Electric Storms, Radiophonics and the Delian Mode'',] on John Coulthart's ''<del class="diffchange diffchange-inline">feilleton</del>''.</ref></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Achieves its ferocity without guitars although the group did rely on a thundering phased drum kit to hold together those sounds of screaming souls being struck by lightning in a godless void.<ref>[http://www.johncoulthart.com/feuilleton/2007/07/16/white-noise-electric-storms-radiophonics-and-the-delian-mode/ ''White Noise: Electric Storms, Radiophonics and the Delian Mode'',] on John Coulthart's ''<ins class="diffchange diffchange-inline">feuilleton</ins>''.</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Martinwguyhttp://wikidelia.net/index.php?title=The_Black_Mass&diff=10966&oldid=prevMartinwguy at 22:47, 3 December 20152015-12-03T22:47:38Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:47, 3 December 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Achieves its ferocity without guitars although the group did rely on a thundering phased drum kit to hold together those sounds of screaming souls being struck by lightning in a godless void.<ref>[http://www.johncoulthart.com/feuilleton/2007/07/16/white-noise-electric-storms-radiophonics-and-the-delian-mode/ ''White Noise: Electric Storms, Radiophonics and the Delian Mode'',] <del class="diffchange diffchange-inline">an excellent review of the album </del>on John Coulthart's ''feilleton''.</ref></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Achieves its ferocity without guitars although the group did rely on a thundering phased drum kit to hold together those sounds of screaming souls being struck by lightning in a godless void.<ref>[http://www.johncoulthart.com/feuilleton/2007/07/16/white-noise-electric-storms-radiophonics-and-the-delian-mode/ ''White Noise: Electric Storms, Radiophonics and the Delian Mode'',] on John Coulthart's ''feilleton''.</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td></tr>
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</table>Martinwguyhttp://wikidelia.net/index.php?title=The_Black_Mass&diff=10965&oldid=prevMartinwguy at 22:46, 3 December 20152015-12-03T22:46:52Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:46, 3 December 2015</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td>
<td colspan="2" class="diff-lineno">Line 13:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><BLOCKQUOTE></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The track owes no small debt to Pink Floyd's “Saucerful of Secrets” from the album of the same name, or the album “The United States of America”, both from 1968, but there is no doubt that “Black Mass” goes much further and is infinitely darker.<ref>[[Breege Brennan's thesis]]</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The track owes no small debt to Pink Floyd's “Saucerful of Secrets” from the album of the same name, or the album “The United States of America”, both from 1968, but there is no doubt that “Black Mass” goes much further and is infinitely darker.<ref>[[Breege Brennan's thesis]]</ref></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></BLOCKQUOTE></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><BLOCKQUOTE></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Achieves its ferocity without guitars although the group did rely on a thundering phased drum kit to hold together those sounds of screaming souls being struck by lightning in a godless void.<ref>[http://www.johncoulthart.com/feuilleton/2007/07/16/white-noise-electric-storms-radiophonics-and-the-delian-mode/ ''White Noise: Electric Storms, Radiophonics and the Delian Mode'',] an excellent review of the album on John Coulthart's ''feilleton''.</ref></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></BLOCKQUOTE></div></td></tr>
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</table>Martinwguyhttp://wikidelia.net/index.php?title=The_Black_Mass&diff=10517&oldid=prevMartinwguy: /* Availability */2015-10-20T17:06:06Z<p><span dir="auto"><span class="autocomment">Availability</span></span></p>
<p><b>New page</b></p><div>''The Black Mass: Electric Storm in Hell'' is the last track of the album ''[[An Electric Storm]]''.<br />
<br />
<BLOCKQUOTE><br />
Someone said [this] was the most frightening thing they had ever heard. ... From the moment it started it made my scalp tickle, and the long, slow descent into screams and cries can even make someone listening to it stone-cold sober think they really had seen a glimpse of Hell!". <br />
<BR>&nbsp;&nbsp;&nbsp;-- sarah16907 reviewing on amazon.com <br />
</BLOCKQUOTE><br />
<br />
<BLOCKQUOTE><br />
Ein apokalypischer Jam.<br />
<BR>&nbsp;&nbsp;&nbsp;-- kk <br />
</BLOCKQUOTE><br />
<br />
<BLOCKQUOTE><br />
The track owes no small debt to Pink Floyd's “Saucerful of Secrets” from the album of the same name, or the album “The United States of America”, both from 1968, but there is no doubt that “Black Mass” goes much further and is infinitely darker.<ref>[[Breege Brennan's thesis]]</ref><br />
</BLOCKQUOTE><br />
<br />
<BLOCKQUOTE><br />
We got through about three quarters of the album in a year and then we got an abrupt letter from them [Island records] saying that unless we receive this album within ten days they were going to take action to recover the money advanced. Right! We'll give it to you in a day! We'll finish it tonight! So the last track using half of the second side we mutually didn't want to make. I just put together a drum loop and got a friend of mine Paul Lytton [to] come and play drums to the loop to pull the whole thing out and this became the Hell track and we just got every freaky, nasty sound we could find and started screaming our heads off over the top and tearing people to bits. We delivered it the next day and there you have it."<br />
<BR>&nbsp;&nbsp;&nbsp;-- David Vorhaus in the Macdonald interview <br />
</BLOCKQUOTE><br />
<br />
Part of it is played during the invocation scene in the film ''Dracula AD 1972'', of which the book ''Hammer film scores and the musical avant-garde'' by David Huckvale says on p.160:<br />
<BLOCKQUOTE><br />
The next diegetic music wasn't scored by<br />
Vickers either. It occurs during the extended Black Mass scened in<br />
St. Bartolph's Church, and the action suggests that the teenagers play<br />
it on the reel-to-reel tape recorder they've brought along to the church<br />
to liven things up a little. However, when the reel of tape runs out<br />
the music errily continues, suggesting some other, supernatural origin<br />
of these disturbing sounds. The music was actually recorded by the cult<br />
electronic group the White Noise, brainchild of American musician David<br />
Vorhaus, who collaborated with the BBC Radiophonic Workshop's Delia<br />
Derbyshire [...] on an album called ''An Electric Storm'', which was<br />
released in 1968. The last of the seven tracks on ''An Electric Storm'',<br />
called &ldquo;The Black Mass -- An Electric Storm in Hell,&rdquo; was apparently the<br />
product of a single day's jam session. The result is a truly unnerving<br />
track that is the perfect accompaniment to Johnny Alucard's distinctly<br />
over-the-top Black Mass. In fact, this part of the soundtrack is the<br />
most contemporary musical element in the film, inspired, in part, by<br />
the example of the concept rock group Pink Floyd;<br />
</BLOCKQUOTE><br />
which is odd. I thought it was the other way round.<br />
<br />
=Structure=<br />
<BLOCKQUOTE><br />
“Black Mass: An Electric Storm in Hell” begins with an evenly-paced, closely-discordant male chanting accompanied by a “cello”. An organ plays briefly, and then the drumming begins. The drumming fades in and begins to spin around, completely encapsulating the listener. Other electronic sounds come and go, tentatively at first, punctuating the drumming, itself becoming more frantic. Suddenly a voice bursts in, screaming across the stereo, before falling off into the distance. The drums continue and the voices keep coming, sometimes male, sometimes female. More gargled voices, and sounds, suggestive of people being thrown into an abyss, with “a clatter of freeform drums, cavernous echo and chilling, animalistic screams”.<ref>[[Breege Brennan's thesis]]</ref><br />
</BLOCKQUOTE><br />
<br />
=Copyright=<br />
The PRS list of works by Delia Ann Derbyshire has:<br />
<PRE><br />
Title: Black Mass<br />
Writer(s): Derbyshire Delia Ann, Lytton Paul, Maurice David, Duncan Georgina, Hodgson Brian Garner, Vorhaus David Glyn<br />
Publisher: Island Music Ltd<br />
Work number: 1763905E <br />
Type: 00/90 [?]<br />
Creation date: 1 January 1984<br />
</PRE><br />
and<br />
<PRE><br />
Title: The Black Mass An Electric Storm In Hell<br />
Writer(s): Lytton, Paul Morris David; Duncan, Georgina; Hodgson, Brian Garner; Vorhaus, David Glyn<br />
Publisher: Island Music Ltd Universal / Island Music Limited<br />
Work number: 171993Q <br />
Type: 10/00 [?]<br />
</PRE><br />
<br />
=[[Spectrogram]]=<br />
{{Spectrogram|The Black Mass - Spectrogram}}<br />
<br />
=Availability=<br />
* Released on the album ''[[An Electric Storm]]''<br />
{{Play|The Black Mass}}<br />
<br />
=External links=<br />
* There are more details in [http://web.archive.org/web/20090730193830/http://geocities.com/CapitolHill/Lobby/2554/whitenoise.html an archived copy of geocities/capitolhill]<br />
<br />
=References=<br />
<references/><br />
<br />
[[Category:Piece]]</div>Martinwguy