Difference between revisions of "The Synth and Electronic Recording Exchanges"
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supposedly a back and forth, one track from Delia then one by Martin, but the sequencing feels arbitrary and a bit of a mess, skipping from Hannett’s baroque twils to dark blasts of sci-fi analog electronics and back, over and again.<ref>[https://boomkat.com/products/the-synth-and-electronic-recording-exchanges A review of the album on Boomkat]</ref> | supposedly a back and forth, one track from Delia then one by Martin, but the sequencing feels arbitrary and a bit of a mess, skipping from Hannett’s baroque twils to dark blasts of sci-fi analog electronics and back, over and again.<ref>[https://boomkat.com/products/the-synth-and-electronic-recording-exchanges A review of the album on Boomkat]</ref> | ||
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| + | Th Hannett's tracks are mostly Wendy Carlos-like versions of traditional themes | ||
=Availability= | =Availability= | ||
Revision as of 14:58, 10 November 2019
Some of the tapes that Delia and Martin Hannett exchanged in the 1970 were released as an album, which is
supposedly a back and forth, one track from Delia then one by Martin, but the sequencing feels arbitrary and a bit of a mess, skipping from Hannett’s baroque twils to dark blasts of sci-fi analog electronics and back, over and again.[1]
Th Hannett's tracks are mostly Wendy Carlos-like versions of traditional themes
Availability
- The tracks can be heard or bought on Boomkat
