Difference between revisions of "Ways of Seeing"

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{{Thumb|Ways of Seeing end credits}}
 
{{Thumb|Ways of Seeing end credits}}
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{{Thumb|Ways of Seeing - The Dream of Later Tonight}}
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{{Thumb|Ways of Seeing - The Skin Dream}}
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{{Thumb|Ways of Seeing - The Dream of a Faraway Place}}
  
 
Delia is credited with "Special Sound" for the fourth and final part of a BAFTA award-winning 1972 BBC series of programmes [[Ways of Seeing]], produced and directed by [[Michael Dibb]],<ref>[http://ftvdb.bfi.org.uk/sift/title/19260 The programme's entry in the BFI Film & TV database]</ref><ref>[[BBC Radiophonic Workshop - surviving work]] entry for [[TRW 7448]], credited to Malcolm Clarke/Delia Derbyshire</ref> in which John Berger "analyses the images of advertising and publicity and shows how they relate to the tradition of oil painting - in moods, relationships and poses."<ref name=thebox>[http://thebox.bz/details.php?id=54385 ''Ways of Seeing'' on thebox.bz]</ref>
 
Delia is credited with "Special Sound" for the fourth and final part of a BAFTA award-winning 1972 BBC series of programmes [[Ways of Seeing]], produced and directed by [[Michael Dibb]],<ref>[http://ftvdb.bfi.org.uk/sift/title/19260 The programme's entry in the BFI Film & TV database]</ref><ref>[[BBC Radiophonic Workshop - surviving work]] entry for [[TRW 7448]], credited to Malcolm Clarke/Delia Derbyshire</ref> in which John Berger "analyses the images of advertising and publicity and shows how they relate to the tradition of oil painting - in moods, relationships and poses."<ref name=thebox>[http://thebox.bz/details.php?id=54385 ''Ways of Seeing'' on thebox.bz]</ref>
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</PRE>
 
</PRE>
  
The first two minutes of episode 2<ref>[http://www.bfi.org.uk/films-tv-people/4ce2b7868a01b ''Ways of Seeing'', part 2] on youtube.com</ref> also have a radiophonic background<ref>Thanks to Alex J for spotting this.</ref> which
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The first three minutes of episode 2<ref>[http://www.bfi.org.uk/films-tv-people/4ce2b7868a01b ''Ways of Seeing'', part 2] on youtube.com</ref> also have a radiophonic background<ref>Thanks to Alex J for spotting this.</ref> which
 
sounds like two chords of an orchestral piece slowed down, maybe to a quarter
 
sounds like two chords of an orchestral piece slowed down, maybe to a quarter
 
of its original speed.
 
of its original speed.
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'The Dream of Later Tonight' and 'The Skin Dream' use textures lifted virtually unchanged from 'The After Life' and 'Amor Dei' respectively, whilst 'The Dream of a Faraway Place' sets new (Delaware/Synthi 100?) material derived probably from some interesting spectral study (not found elsewhere on the Attic tapes as far as I recall) against the third section of Amor Dei ("I'd like to believe in God, but...")<ref>James Percival in [https://www.facebook.com/permalink.php?story_fbid=1863983360324838&id=169766083079916&comment_id=1866013546788486 a comment on facebook] on 28th July 2018.</ref>
 
'The Dream of Later Tonight' and 'The Skin Dream' use textures lifted virtually unchanged from 'The After Life' and 'Amor Dei' respectively, whilst 'The Dream of a Faraway Place' sets new (Delaware/Synthi 100?) material derived probably from some interesting spectral study (not found elsewhere on the Attic tapes as far as I recall) against the third section of Amor Dei ("I'd like to believe in God, but...")<ref>James Percival in [https://www.facebook.com/permalink.php?story_fbid=1863983360324838&id=169766083079916&comment_id=1866013546788486 a comment on facebook] on 28th July 2018.</ref>
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
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=Tapes=
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* [[DD272]]: Backgrounds
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=[[Spectrograms]]=
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==Episode 2 intro==
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{{Spectrogallery|Ways of Seeing - Episode 2 intro}}
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==The Three Dreams Used In Advertising==
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===Intro===
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{{Spectrogallery|Ways of Seeing 0 - Intro}}
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===The Dream of Later Tonight===
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{{Spectrogallery|Ways of Seeing 1 - The Dream of Later Tonight}}
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===The Skin Dream===
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{{Spectrogallery|Ways of Seeing 2 - The Skin Dream}}
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===The Dream of a Faraway Place===
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{{Spectrogallery|Ways of Seeing 3 - The Dream of a Faraway Place}}
  
 
=Availability=
 
=Availability=
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** on BBC4 on 1st October 2008 at 19.30
 
** on BBC4 on 1st October 2008 at 19.30
 
* In the BBC Sound Archive on tape [[TRW 7448]].<ref>The [[Tape Library List]]'s entry for [[TRW 7448]].</ref>
 
* In the BBC Sound Archive on tape [[TRW 7448]].<ref>The [[Tape Library List]]'s entry for [[TRW 7448]].</ref>
* On [[Attic Tape]] [[DD062]]: "Ways of Seeing, many takes".
 
 
* [http://www.youtube.com/watch?v=5jTUebm73IY ''Ways of Seeing'', part 4] on youtube.com
 
* [http://www.youtube.com/watch?v=5jTUebm73IY ''Ways of Seeing'', part 4] on youtube.com
 
* [[File:John Berger Ways of Seeing.torrent]]
 
* [[File:John Berger Ways of Seeing.torrent]]
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[[Category:Piece]]
 
[[Category:Piece]]
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[[Category:Torrent]]

Latest revision as of 21:48, 19 February 2023

Ways of Seeing end credits
Ways of Seeing - The Dream of Later Tonight
Ways of Seeing - The Skin Dream
Ways of Seeing - The Dream of a Faraway Place

Delia is credited with "Special Sound" for the fourth and final part of a BAFTA award-winning 1972 BBC series of programmes Ways of Seeing, produced and directed by Michael Dibb,[1][2] in which John Berger "analyses the images of advertising and publicity and shows how they relate to the tradition of oil painting - in moods, relationships and poses."[3]

The Performing Right Society's list of works by Delia Ann Derbyshire has:

Title: Ways Of Seeing
Writer(s): Derbyshire Delia Ann; Clarke Malcolm John
Publisher; BBC Music
Creation date: 8 March 1993

The first three minutes of episode 2[4] also have a radiophonic background[5] which sounds like two chords of an orchestral piece slowed down, maybe to a quarter of its original speed.

End credits

  • Special sound: Delia Derbyshire, BBC Radiophonic Workshop
  • Producer: Michael Dibb

Track list

  • 05:50-09:30 "Publicity impersonates painting" (uninspired slow monophonic synth solo, probably Malcolm Clarke, not Delia)
  • 09:53-10:31 "Publicity and oil painting use many of the same references" (similar piece for two voices)
  • 13:42-16:00 Perfume bottling factory rhythmic loop
  • 16:00-16:30 "The more monotonous the present, the more the imagination must seize upon the future" (ethereal chords similar to Amor Dei)
  • 16:42-17:45 The Dream of Later Tonight
  • 17:52-18:33 The Skin Dream
  • 19:03-20:18 The Dream of a Faraway Place

Analysis

James Percival says of these pieces:

'The Dream of Later Tonight' and 'The Skin Dream' use textures lifted virtually unchanged from 'The After Life' and 'Amor Dei' respectively, whilst 'The Dream of a Faraway Place' sets new (Delaware/Synthi 100?) material derived probably from some interesting spectral study (not found elsewhere on the Attic tapes as far as I recall) against the third section of Amor Dei ("I'd like to believe in God, but...")[6]

Tapes

Spectrograms

Episode 2 intro

Ways of Seeing - Episode 2 intro - Spectrogram.jpg

The Three Dreams Used In Advertising

Intro

Ways of Seeing 0 - Intro - Spectrogram.jpg

The Dream of Later Tonight

Ways of Seeing 1 - The Dream of Later Tonight - Spectrogram.jpg

The Skin Dream

Ways of Seeing 2 - The Skin Dream - Spectrogram.jpg

The Dream of a Faraway Place

Ways of Seeing 3 - The Dream of a Faraway Place - Spectrogram.jpg

Availability

References

  1. The programme's entry in the BFI Film & TV database
  2. BBC Radiophonic Workshop - surviving work entry for TRW 7448, credited to Malcolm Clarke/Delia Derbyshire
  3. Ways of Seeing on thebox.bz
  4. Ways of Seeing, part 2 on youtube.com
  5. Thanks to Alex J for spotting this.
  6. James Percival in a comment on facebook on 28th July 2018.
  7. Search Ways of Seeing at the BBC Genome Project
  8. The Tape Library List's entry for TRW 7448.