Difference between revisions of "DD017"
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| − | + | [[DD017]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. | |
| + | The [[John Rylands Library]] catalogue calls it CDD/1/9/15. | ||
| + | |||
| + | =[[Initial Catalogue|Mark Ayres' notes]]= | ||
| + | <PRE> | ||
Type: 7" reel, 1/4" tape, | Type: 7" reel, 1/4" tape, | ||
| + | Label: Lateef | ||
| + | Description: Box contains Radio Times clippings - "Keyboard Instruments", "Late Gothic Music" | ||
| + | </PRE> | ||
| − | + | =[[DD Audio Files Commentary|Louis Niebur's notes]]= | |
| + | <PRE> | ||
| + | DD017 | ||
| + | Opens with swooping sine tone (short) | ||
| + | Then some piano and pan flute “jazz” :20-5;12 (Tubby Hayes?) | ||
| + | 5:30 jazz in 5/4, track ends 8:40 | ||
| + | second jazz track, begins (9:05 | ||
| + | at 11:00 right channel switches backwards talking. | ||
| + | (it’s an interview with Barry Bermange, after the first 2 inventions) | ||
| + | In box are clippings from Radio Times that says | ||
| + | 1st clipping: | ||
| + | VHF & Wavelengths | ||
| + | Home Service, Wrotham 93.5 (DD underlined 93.5 in red) and wrote “hum” 330 m. (underlined in red) at bottom, | ||
| + | Third Network | ||
| + | Wrotham 91.3 Mc/s (91.3 underlined in red) | ||
| + | 2nd clipping | ||
| + | 5.0 pm Keyboard Instruments at the Brussels Conservatoire played by Aimee van de | ||
| + | Wiele on the Delin upright harpsichord: | ||
| + | pavane et Gallarde (1530) Pierre Attaignant | ||
| + | Allemande grave (tombeau de Mr de Blancrocher) Ennemond Gaultier | ||
| + | Bransle en faux bourdon (1540) anon | ||
| + | On a positive pipe organ: | ||
| + | Estampie (c. 1325), anon | ||
| + | Franckurgenti – after dufay | ||
| + | Madame vous aves mon cour – marc antonio da Bologna | ||
| + | On the Haas harpsichord: | ||
| + | Bransle de Poicton – anon | ||
| + | Sarabande – Rene Mezangeau | ||
| + | Les baracades Misteriouses – Couperin | ||
| + | Recorded in collab. With the Belgian Broadcasting Service. Next prog. Sept 6 | ||
| + | 3rd clipping | ||
| + | 10:15 Late Gothic Music | ||
| + | Alfred Deller, directed by Gilbert ReaneyDraft version of Delia Derbyshire track listings | ||
| + | Tres Doulz amis – Jean Vayllant | ||
| + | Gemma nitens – anon | ||
| + | He, tres doulz roussignol – Borlet | ||
| + | Se je me Pleing – Machaut | ||
| + | Ad honorem-Celorum – Nicholas Grenon | ||
| + | J’ayme bien celui qui s’en va – Pierre Containe | ||
| + | Gloria – Pycard | ||
| + | (these are not on the tape) | ||
| + | </PRE> | ||
| − | + | =[[Delia Derbyshire's Creative Process|James Percival's notes]]= | |
| + | <PRE> | ||
| + | CDD/1/9/15 New Comment: Barry Bermange interview | ||
| + | Bermange in conversation with H. A. L. Craig | ||
| + | FORMER REFERENCE: DD017 DATE: 1964 CONTAINS: Inventions for radio: The Dreams, Inventions for radio: Amor Dei, Inventions for radio: The After Life, Inventions for radio: The Evenings of Certain Lives | ||
| + | MEDIUM: 7" reel, 1/4" tape DURATION: 00:32:32 | ||
| + | LABELS: [Reel Side 2] BARRY, NEW COMMENT | ||
| + | [Reel Side 1] LATEEF / B. [?] | ||
| + | NOTES: First track is unidentified acoustic jazz. | ||
| + | Second track in the reverse direction is “Barry Bermange in conversation with H. A. L. Craig”, from weekly arts review programme New Comment, TX Third Programme 30/11/1964. Bermange and Craig discuss Bermange's work including the Inventions for radio; there is an excerpt from Inventions for radio: The Dreams. | ||
| + | </PRE> | ||
[[Category:Tape]] | [[Category:Tape]] | ||
Revision as of 14:52, 12 May 2020
DD017 is the Initial Catalogue number of one of Delia's Attic Tapes.
The John Rylands Library catalogue calls it CDD/1/9/15.
Mark Ayres' notes
Type: 7" reel, 1/4" tape, Label: Lateef Description: Box contains Radio Times clippings - "Keyboard Instruments", "Late Gothic Music"
Louis Niebur's notes
DD017 Opens with swooping sine tone (short) Then some piano and pan flute “jazz” :20-5;12 (Tubby Hayes?) 5:30 jazz in 5/4, track ends 8:40 second jazz track, begins (9:05 at 11:00 right channel switches backwards talking. (it’s an interview with Barry Bermange, after the first 2 inventions) In box are clippings from Radio Times that says 1st clipping: VHF & Wavelengths Home Service, Wrotham 93.5 (DD underlined 93.5 in red) and wrote “hum” 330 m. (underlined in red) at bottom, Third Network Wrotham 91.3 Mc/s (91.3 underlined in red) 2nd clipping 5.0 pm Keyboard Instruments at the Brussels Conservatoire played by Aimee van de Wiele on the Delin upright harpsichord: pavane et Gallarde (1530) Pierre Attaignant Allemande grave (tombeau de Mr de Blancrocher) Ennemond Gaultier Bransle en faux bourdon (1540) anon On a positive pipe organ: Estampie (c. 1325), anon Franckurgenti – after dufay Madame vous aves mon cour – marc antonio da Bologna On the Haas harpsichord: Bransle de Poicton – anon Sarabande – Rene Mezangeau Les baracades Misteriouses – Couperin Recorded in collab. With the Belgian Broadcasting Service. Next prog. Sept 6 3rd clipping 10:15 Late Gothic Music Alfred Deller, directed by Gilbert ReaneyDraft version of Delia Derbyshire track listings Tres Doulz amis – Jean Vayllant Gemma nitens – anon He, tres doulz roussignol – Borlet Se je me Pleing – Machaut Ad honorem-Celorum – Nicholas Grenon J’ayme bien celui qui s’en va – Pierre Containe Gloria – Pycard (these are not on the tape)
James Percival's notes
CDD/1/9/15 New Comment: Barry Bermange interview Bermange in conversation with H. A. L. Craig FORMER REFERENCE: DD017 DATE: 1964 CONTAINS: Inventions for radio: The Dreams, Inventions for radio: Amor Dei, Inventions for radio: The After Life, Inventions for radio: The Evenings of Certain Lives MEDIUM: 7" reel, 1/4" tape DURATION: 00:32:32 LABELS: [Reel Side 2] BARRY, NEW COMMENT [Reel Side 1] LATEEF / B. [?] NOTES: First track is unidentified acoustic jazz. Second track in the reverse direction is “Barry Bermange in conversation with H. A. L. Craig”, from weekly arts review programme New Comment, TX Third Programme 30/11/1964. Bermange and Craig discuss Bermange's work including the Inventions for radio; there is an excerpt from Inventions for radio: The Dreams.
