Difference between revisions of "Duffer"

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{{Thumb|Duffer DVD cover}}
 
{{Thumb|Duffer DVD cover}}
  
The sleeve notes for the DVD of a 1971 film [[Duffer]], released in early 2011
+
The sleeve notes for the DVD of a 1971 film ''[[Duffer]]''
as part of the British Film Institute's "Flipside" series, say that Delia provided sound effects
+
<BLOCKQUOTE>
for it:
+
&ldquo;An intense and bizarre study of obsession that is by turns lyrical and disconcerting, Duffer tells the deranged story of a teenage boy torn between the womanly charms of a kindly prostitute, and the relentless, sadistic attentions of an older man.&rdquo;
 +
</BLOCKQUOTE>
 +
say that Delia provided sound effects for it:
  
 
<BLOCKQUOTE>
 
<BLOCKQUOTE>
 
From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire <I>Duffer</I>
 
From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire <I>Duffer</I>
soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client.
+
soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client.<ref name=thrower>DVD sleeve notes by Stephen Thrower.</ref>
<BR>&nbsp;&nbsp;&nbsp;-- DVD sleeve notes by Stephen Thrower
 
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
  
 
<BLOCKQUOTE>
 
<BLOCKQUOTE>
 
Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair.
 
Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair.
MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature.
+
MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature.<ref name=thrower/>
<BR>&nbsp;&nbsp;&nbsp;-- DVD sleeve notes by Stephen Thrower
 
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
  
 
<BLOCKQUOTE>
 
<BLOCKQUOTE>
There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well.  
+
There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well.<ref name=thrower/>
<BR>&nbsp;&nbsp;&nbsp;-- DVD sleeve notes (who is speaking?)
 
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
  
 
<BLOCKQUOTE>
 
<BLOCKQUOTE>
Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire.
+
Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire.<ref>Frank Collins on [http://www.cathoderaytube.co.uk/2011/01/british-cult-classics-duffer-moon-over.html Cathode Ray Tube].</ref>
<BR>&nbsp;&nbsp;&nbsp;-- Frank Collins on [http://www.cathoderaytube.co.uk/2011/01/british-cult-classics-duffer-moon-over.html Cathode Ray Tube]
 
 
</BLOCKQUOTE>
 
</BLOCKQUOTE>
  
Line 32: Line 30:
 
* '''Music:''' Galt MacDermot
 
* '''Music:''' Galt MacDermot
 
* '''Sound effects:''' BBC Radiophonic Workshop
 
* '''Sound effects:''' BBC Radiophonic Workshop
 +
 +
=Tracks=
 +
* Descending monkey (14:26-14:50)
 +
"There was this monkey on a stick that Your Gracie had, and when I piled into her she'd start it. The idea was that the monkey should get to the bottom before I was finished but I never could somehow last long enough. I tried, God knows!"<BR>
 +
{{Spectrogallery|Duffer - Descending monkey}}
 +
 +
* Draping worms (18:08-20:06)
 +
Duffer's male lover covers him in worms to make a film.<BR>
 +
{{Spectrogallery|Duffer - Draping worms}}
 +
 +
* Betrayed (41:19-42:15)
 +
Duffer sees his female lover in the arms of another man.<BR>
 +
{{Spectrogallery|Duffer - Betrayed}}
  
 
=Availability=
 
=Availability=
* The DVD of the film can be bought from [http://filmstore.bfi.org.uk/acatalog/info_18554.html the British Film Institute's filmstore], [http://www.amazon.co.uk/Duffer-Moon-Over-Alley-Blu-ray/dp/B004CZ6HV0/ Amazon], [http://www.moviemail-online.co.uk/film/dvd+blu-ray/Duffer-Moon-Over-the-Alley/ MovieMail] and [http://www.play.com/DVD/Blu-ray/4-/17681080/Duffer-Moon-Over-The-Alley-Dual-Format-Edition/Product.html play.com]
+
* Released on DVD on 17th January 2011 as part of the British Film Institute's "Flipside" series.
 +
* The DVD of the film can be bought from [http://filmstore.bfi.org.uk/acatalog/info_18554.html the British Film Institute's filmstore], [http://www.amazon.co.uk/Duffer-Moon-Over-Alley-Blu-ray/dp/B004CZ6HV0/ Amazon], [http://www.moviemail-online.co.uk/film/dvd+blu-ray/Duffer-Moon-Over-the-Alley/ MovieMail], [http://www.rakuten.co.uk/shop/speedyhen/product/DV001193842V/ Speedy Hen] and [http://www.play.com/DVD/Blu-ray/4-/17681080/Duffer-Moon-Over-The-Alley-Dual-Format-Edition/Product.html play.com]
 +
* [[File:Duffer.torrent]]
  
 
=External links=
 
=External links=
 
* [http://7doorshotel.blogspot.com/2011/03/despins-dumaresq-duffer.html A detailed article about the film's producers and plot], though with no mention of Delia.
 
* [http://7doorshotel.blogspot.com/2011/03/despins-dumaresq-duffer.html A detailed article about the film's producers and plot], though with no mention of Delia.
 
* [http://www.imdb.com/title/tt0217405/ The IMDb entry for Duffer]
 
* [http://www.imdb.com/title/tt0217405/ The IMDb entry for Duffer]
 +
 +
=References=
 +
<references/>
  
 
[[Category:Film]]
 
[[Category:Film]]
 
[[Category:Piece]]
 
[[Category:Piece]]
 +
[[Category:Torrent]]

Latest revision as of 13:29, 20 August 2022

Duffer DVD cover

The sleeve notes for the DVD of a 1971 film Duffer

“An intense and bizarre study of obsession that is by turns lyrical and disconcerting, Duffer tells the deranged story of a teenage boy torn between the womanly charms of a kindly prostitute, and the relentless, sadistic attentions of an older man.”

say that Delia provided sound effects for it:

From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire Duffer soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client.[1]

Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair. MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature.[1]

There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well.[1]

Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire.[2]

Credits

  • Writer: William Dumaresq
  • Directors: William Dumaresq and Joseph Despins
  • Music: Galt MacDermot
  • Sound effects: BBC Radiophonic Workshop

Tracks

  • Descending monkey (14:26-14:50)

"There was this monkey on a stick that Your Gracie had, and when I piled into her she'd start it. The idea was that the monkey should get to the bottom before I was finished but I never could somehow last long enough. I tried, God knows!"
Duffer - Descending monkey - Spectrogram.jpg

  • Draping worms (18:08-20:06)

Duffer's male lover covers him in worms to make a film.
Duffer - Draping worms - Spectrogram.jpg

  • Betrayed (41:19-42:15)

Duffer sees his female lover in the arms of another man.
Duffer - Betrayed - Spectrogram.jpg

Availability

External links

References

  1. 1.0 1.1 1.2 DVD sleeve notes by Stephen Thrower.
  2. Frank Collins on Cathode Ray Tube.