Difference between revisions of "Duffer"
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{{Thumb|Duffer DVD cover}} | {{Thumb|Duffer DVD cover}} | ||
− | The sleeve notes for the DVD of a 1971 film [[Duffer]], | + | The sleeve notes for the DVD of a 1971 film ''[[Duffer]]'' |
− | + | <BLOCKQUOTE> | |
− | for it: | + | “An intense and bizarre study of obsession that is by turns lyrical and disconcerting, Duffer tells the deranged story of a teenage boy torn between the womanly charms of a kindly prostitute, and the relentless, sadistic attentions of an older man.” |
+ | </BLOCKQUOTE> | ||
+ | say that Delia provided sound effects for it: | ||
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire <I>Duffer</I> | From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire <I>Duffer</I> | ||
− | soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client. | + | soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client.<ref name=thrower>DVD sleeve notes by Stephen Thrower.</ref> |
− | < | ||
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair. | Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair. | ||
− | MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature. | + | MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature.<ref name=thrower/> |
− | < | ||
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
− | There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well. | + | There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well.<ref name=thrower/> |
− | < | ||
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
<BLOCKQUOTE> | <BLOCKQUOTE> | ||
− | Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire. | + | Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire.<ref>Frank Collins on [http://www.cathoderaytube.co.uk/2011/01/british-cult-classics-duffer-moon-over.html Cathode Ray Tube].</ref> |
− | < | ||
</BLOCKQUOTE> | </BLOCKQUOTE> | ||
Line 32: | Line 30: | ||
* '''Music:''' Galt MacDermot | * '''Music:''' Galt MacDermot | ||
* '''Sound effects:''' BBC Radiophonic Workshop | * '''Sound effects:''' BBC Radiophonic Workshop | ||
+ | |||
+ | =Tracks= | ||
+ | * Descending monkey (14:26-14:50) | ||
+ | "There was this monkey on a stick that Your Gracie had, and when I piled into her she'd start it. The idea was that the monkey should get to the bottom before I was finished but I never could somehow last long enough. I tried, God knows!"<BR> | ||
+ | {{Spectrogallery|Duffer - Descending monkey}} | ||
+ | |||
+ | * Draping worms (18:08-20:06) | ||
+ | Duffer's male lover covers him in worms to make a film.<BR> | ||
+ | {{Spectrogallery|Duffer - Draping worms}} | ||
+ | |||
+ | * Betrayed (41:19-42:15) | ||
+ | Duffer sees his female lover in the arms of another man.<BR> | ||
+ | {{Spectrogallery|Duffer - Betrayed}} | ||
=Availability= | =Availability= | ||
− | * The DVD of the film can be bought from [http://filmstore.bfi.org.uk/acatalog/info_18554.html the British Film Institute's filmstore], [http://www.amazon.co.uk/Duffer-Moon-Over-Alley-Blu-ray/dp/B004CZ6HV0/ Amazon], [http://www.moviemail-online.co.uk/film/dvd+blu-ray/Duffer-Moon-Over-the-Alley/ MovieMail] and [http://www.play.com/DVD/Blu-ray/4-/17681080/Duffer-Moon-Over-The-Alley-Dual-Format-Edition/Product.html play.com] | + | * Released on DVD on 17th January 2011 as part of the British Film Institute's "Flipside" series. |
+ | * The DVD of the film can be bought from [http://filmstore.bfi.org.uk/acatalog/info_18554.html the British Film Institute's filmstore], [http://www.amazon.co.uk/Duffer-Moon-Over-Alley-Blu-ray/dp/B004CZ6HV0/ Amazon], [http://www.moviemail-online.co.uk/film/dvd+blu-ray/Duffer-Moon-Over-the-Alley/ MovieMail], [http://www.rakuten.co.uk/shop/speedyhen/product/DV001193842V/ Speedy Hen] and [http://www.play.com/DVD/Blu-ray/4-/17681080/Duffer-Moon-Over-The-Alley-Dual-Format-Edition/Product.html play.com] | ||
+ | * [[File:Duffer.torrent]] | ||
=External links= | =External links= | ||
* [http://7doorshotel.blogspot.com/2011/03/despins-dumaresq-duffer.html A detailed article about the film's producers and plot], though with no mention of Delia. | * [http://7doorshotel.blogspot.com/2011/03/despins-dumaresq-duffer.html A detailed article about the film's producers and plot], though with no mention of Delia. | ||
* [http://www.imdb.com/title/tt0217405/ The IMDb entry for Duffer] | * [http://www.imdb.com/title/tt0217405/ The IMDb entry for Duffer] | ||
+ | |||
+ | =References= | ||
+ | <references/> | ||
[[Category:Film]] | [[Category:Film]] | ||
[[Category:Piece]] | [[Category:Piece]] | ||
+ | [[Category:Torrent]] |
Latest revision as of 13:29, 20 August 2022
The sleeve notes for the DVD of a 1971 film Duffer
“An intense and bizarre study of obsession that is by turns lyrical and disconcerting, Duffer tells the deranged story of a teenage boy torn between the womanly charms of a kindly prostitute, and the relentless, sadistic attentions of an older man.”
say that Delia provided sound effects for it:
From its running voice-over to the weird, artificial background tape-loops of passing traffic, the entire Duffer soundtrack is a piece of sound art, combining MacDermot's compositions with more avant'garde interventions, such as the acrid, Ligeti-like high-string dissonances when Louis Jack is draping worms on Duffer's stomach, or the ghastly Moog synthesizer buzz that flares up when Duffer spies Your Gracie entertaining a client.[1]
Also riding high at the time was composer Galt MacDermot, whose career in musical theatre reached its peak in 1967 with the controversial hit, Hair. MacDermot, a friend of Dumaresq's, contributes a smattering of musical interludes for piano which greatly assist the film's trajectory from downbeat weirdness to fragile charm, concluding with a mournful nocturne that almost succeeds in making the South Bank's concrete architecture (where the final scenes were shot) sing with a sweet ache of sorrow and resignation. Add to this some electronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every beat of a complex emotional journey, rounding off a truly accomplished debut feature.[1]
There were certain night scenes where I felt the new synthesizer machine at the BBC Radiophonic Workshop would be effective. Radiophonics supplied several effects which I laid over the appropriate sequences; they worked extremely well.[1]
Sounds of rushing wind and electronic howls dominate the scene, part of a very experimental sound collage that includes the rantings of Louis Jack and the electronica (momentarily simulating traffic in one scene - four years before Kraftwerk would turn such sounds into a new form of pop) of the BBC Radiophonic Workshop's Delia Derbyshire.[2]
Credits
- Writer: William Dumaresq
- Directors: William Dumaresq and Joseph Despins
- Music: Galt MacDermot
- Sound effects: BBC Radiophonic Workshop
Tracks
- Descending monkey (14:26-14:50)
"There was this monkey on a stick that Your Gracie had, and when I piled into her she'd start it. The idea was that the monkey should get to the bottom before I was finished but I never could somehow last long enough. I tried, God knows!"
- Draping worms (18:08-20:06)
Duffer's male lover covers him in worms to make a film.
- Betrayed (41:19-42:15)
Duffer sees his female lover in the arms of another man.
Availability
- Released on DVD on 17th January 2011 as part of the British Film Institute's "Flipside" series.
- The DVD of the film can be bought from the British Film Institute's filmstore, Amazon, MovieMail, Speedy Hen and play.com
- File:Duffer.torrent
External links
- A detailed article about the film's producers and plot, though with no mention of Delia.
- The IMDb entry for Duffer
References
- ↑ 1.0 1.1 1.2 DVD sleeve notes by Stephen Thrower.
- ↑ Frank Collins on Cathode Ray Tube.