Difference between revisions of "Pot-pourri"

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It was also performed as the first piece of a concert of electronic music at the Queen Elizabeth Hall on 15th January 1968.<ref name=Routh20>Francis Routh, ''Contemporary British Music: The Twenty-Five Years from 1945 to 1970'' (1972), [http://www.musicweb-international.com/routh/Contemporary.htm Chapter 20: Electronic music and the Avant-garde: Electronic Music]</ref>
 
It was also performed as the first piece of a concert of electronic music at the Queen Elizabeth Hall on 15th January 1968.<ref name=Routh20>Francis Routh, ''Contemporary British Music: The Twenty-Five Years from 1945 to 1970'' (1972), [http://www.musicweb-international.com/routh/Contemporary.htm Chapter 20: Electronic music and the Avant-garde: Electronic Music]</ref>
  
[[Pot Au Feu]] is believed to be a more developed version of this work.
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=Makeup and development=
 +
For a list of the makeup elements used in [[Pot Pourri]], see the article for
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[[Pot Au Feu]] which is a further development of this work.<ref>''[[Delia Derbyshire's Creative Process]]'', pp.21-24.</ref>
  
 
=Availability=
 
=Availability=

Revision as of 12:34, 26 November 2016

Pot-pourri, 5 minutes long, seems to be a collage of extracts from her BBC work.

It was performed on 10th September 1966 as part of the Unit Delta Plus Concert of Electronic Music and the concert programme entry for it reads:

Each of the short sections was composed as a piece of introductory music for the BBC, with similar rhythms, melodic intervals and sound qualities.

It was also performed as the first piece of a concert of electronic music at the Queen Elizabeth Hall on 15th January 1968.[1]

Makeup and development

For a list of the makeup elements used in Pot Pourri, see the article for Pot Au Feu which is a further development of this work.[2]

Availability

Unknown.

References

  1. Francis Routh, Contemporary British Music: The Twenty-Five Years from 1945 to 1970 (1972), Chapter 20: Electronic music and the Avant-garde: Electronic Music
  2. Delia Derbyshire's Creative Process, pp.21-24.