Difference between revisions of "The Living World"

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(Papers)
 
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Image:DD081013.jpg|[[DD081013]] Delia's notes dated 15 Sep 68 "work begins 8th July"
 
Image:DD081013.jpg|[[DD081013]] Delia's notes dated 15 Sep 68 "work begins 8th July"
 
Image:DD081333.jpg|[[DD081333]] Delia's notes dated 30 Oct 68 "ROUGH MIX / NAKED SUN TAPE"
 
Image:DD081333.jpg|[[DD081333]] Delia's notes dated 30 Oct 68 "ROUGH MIX / NAKED SUN TAPE"
Image:DD080940.jpg|[[DD080940]] Letter to Delia dated 5 Nov 68
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Image:DD080940.jpg|[[DD080940]] Letter dated 5 Nov 68 from Robina Gyle-Thompson to Delia
 
Image:DD081347.jpg|[[DD081347]] Rough of letter from Delia to Mr Ball "I am returning the tape of Eastern Nigerian sound effects"
 
Image:DD081347.jpg|[[DD081347]] Rough of letter from Delia to Mr Ball "I am returning the tape of Eastern Nigerian sound effects"
 
Image:DD081049.jpg|[[DD081049]] Delia's notes and diagrams "beautiful curlew 9s"
 
Image:DD081049.jpg|[[DD081049]] Delia's notes and diagrams "beautiful curlew 9s"

Latest revision as of 16:17, 2 July 2021

From 8th July 1968 (maybe up to the 15th September)[1], Delia created two potential signature tunes[2] for a weekly Radio 4[3] BBC programme The Living World with programme code TRW 6886[4] produced by Robina Gyle-Thompson[5] of the Natural History Unit, Bristol and created by zoologist John Sparks.[6]

Both signature tunes seem to have been rejected by John Sparks[7][8] who used a jazz theme instead,[3] leaving Delia hoping that her music might be used in the New Year.[3]

Makeup tapes

The producer at the Natural History Unit, Bristol provided a tape of sound effects, a Mr Ball lent a tape of Eastern Nigerian sound effects for it[3] and Delia also used a tape of library material.[9]

The three source tapes are referred to by Delia as "her tape", "Br's tape"[10] and "Real Nature tape from disk".[11]

Papers

Her papers include a folder containing her notes for it and some letters about it.

Availability

References