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  • [[DD258]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing recordings of lyre and clarinet for ''[[Pompei Recorded at 15” (although it sounds too high, Delia’s voice can be heard occasionally in the background at this speed)
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  • [[DD269]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing imitation whale song and material for ''[[Tuta Label: SciFi Backgrounds and Boshes, Whale Space. Poss Delia (BH label)
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  • [[DD162]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], the master tape for [[Ron Grainer]]'s ''[[Bread]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD026]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Singing Waters]]''. ...faster women’s voice with electronic tone treatmentDraft version of Delia Derbyshire track listings
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  • [[DD040]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for the ''[[Stratford Macbeth]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD074]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Electrosonic]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • In 1964, Delia provided the answer to the question "How is electronic music produced?". ...edge combined with a musical training and a sense of dramatic ability. (To Delia) So, in this workshop you can turn practically any sound into a form of mus
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  • [[DD112]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD048]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] with makeup for ''[[I Think In Shapes]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD166]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing [[Ray Davies]]' song ''Got To Be Free'', for =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD197]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing a recording of a radio programme about throat =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD168]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD148]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing a copy of [[George Newson]]'s piece ''[[One Un =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • '''DD028''' is the catalogue number of one of Delia's tapes. [[DD028]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]].
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  • [[Chronicle Title]] is Delia's 1969<ref name=Wee>[[Wee_have_also_sound-houses_(article)|Wee also have so <BR>&nbsp;&nbsp;&nbsp;-- Delia in the [[Soundhouse interview]]
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  • ...nd Delia Derbyshire were the "soundsmiths", the others were "tunesmiths". "Delia was manipulating recorded sounds, but in a musical way," Mills explains. "I
    530 bytes (76 words) - 02:53, 3 January 2015
  • ...3220]] is a letter dated 2nd April 1962 from The British Film Institute to Delia about her membership. Miss D. Derbyshire,
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  • ...Lovesexy''. It was also released as "Clouds" but wrongly credited to Delia Derbyshire on a 2-CD bootleg called "Wow!" released by "Eye" Records in 2008.&rdquo;<r [[Category:Pieces wrongly attributed to Delia]]
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  • In 1964 and 1965, Delia worked with playwright<ref>[http://www.filmreference.com/film/98/Barry-Berm Delia Derbyshire created some very, very beautiful things and some things that had a kind of
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  • [[DD118]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing a shorter, slower version of ''[[Dance from No =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD039]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Medea]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD109]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], an early version of the Delaware ''[[Doctor Who]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD213]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Tutenkhamun's Egypt]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD276]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing the ''[[Unidentified Synthi signature tune]]'' =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD261]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD099]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD249]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD076]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing makeup for ''[[I.E.E.100]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD203]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. Label: Delia Demo 7.5ips
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  • [[DD214]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for her 1972 music about ''[[Egypt]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...ith [[Ianni Christou]]<ref name=d-d.org>[http://delia-derbyshire.org delia-derbyshire.org]</ref> in ...g/2009/03/eric-s-blog/delia-derbyshire-electronic-music-pioneer.html Delia Derbyshire - electronic music pioneer] article at amoeba.com</ref>, doing sound treatm
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  • [[DD186]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing her music for the [[Bank of Canada]] advert. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD042]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD053]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. ...melodic and pitched. Square waves. Stereo. 8:17 endDraft version of Delia Derbyshire track listings
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  • [[DD079]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD031]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. Miss D. Derbyshire,
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  • [[DD062]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], for ''[[Ways of Seeing]]'' according to the label, but i =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD196]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], a demo reel for [[Unit Delta Plus]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • A BBC memo to Delia says that part of her music for ''[[Travelling In Winter]]'' was renamed [[ An interaction between Delia and a producer suggests that she made it for her ''[[Aztec]]'' music:
    2 KB (258 words) - 16:13, 14 August 2022
  • [[Stuart Maconie]] created a documentary all about Delia Derbyshire's life and work for the BBC TV series ''Inside Out West Midland'', broadcas ...tains part of a "interview broadcast now for the very first time" in which Delia says:
    2 KB (280 words) - 01:50, 1 January 2015
  • ...ch/delia/english_html/img11.html Slide 11 of 2007 presentation ''The Delia Derbyshire Archive'' at Manchester University]</ref>.
    531 bytes (84 words) - 16:42, 4 February 2015
  • [[DD232]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing a copy of The Kinks' song "Got To Be Free" whi =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • Dick Mills worked with Delia at the [[BBC Radiophonic Workshop]] and helped her realize the original [[D ...nd Delia Derbyshire were the "soundsmiths", the others were "tunesmiths". "Delia was manipulating recorded sounds, but in a musical way," Mills explains. "I
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  • [[DD030]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD182]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing the music for a [[Unit Delta Plus]] commercial =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[77 Cambridge Street]], Northampton, UK was Delia's last home. DERBYSHIRE (otherwise known as Hunter), Delia Ann
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  • [[Doctor Who: Inferno]] is a story in the [[Doctor Who]] TV series in which Delia's music was used without her knowledge. '''Austen Atkinson-Broadbelt:''' How did some of Derbyshire's music concrete come to be used as stock music on the Pertwee story Infern
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  • [[DD020]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Poets in Prison]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • The Performing Right Society's list of works by Delia Ann Derbyshire includes: Writer(s): Derbyshire Delia Ann
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  • [[DD075926]] is Delia's draft of a letter from [[Unit Delta Plus]] to [[Barry Bermange]] asking h BRIAN HODGSON DELIA DERBYSHIRE PETER ZINOVIEFF
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  • [[DD202]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing "shimmery sound effects", presumably for a pr =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD217]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD141636]] is a memo dated 8th July 1970 from M. Parotte to Delia about distribution of the prize money should [[The Bagman]] win the Italia Delia's reply is [[DD141601]].
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  • [[DD075]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD140]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing her ''[[Radio Brighton Train Idents]]''. Delia Derbyshire
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  • [[DD185]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], a makeup tape for the [[ICI Fashion Show]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD063]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing a recording of two pieces by [[George Newson] ...ted Sounds” for BBC in 1964 (Tx 1966) dir by D. Cleverdon, TRW 6192, 7065. Delia prepared the electronic tape for this production (and Germany)
    2 KB (311 words) - 08:26, 30 September 2021
  • ...ot Au Feu]]'', which is a further development of this piece.<ref>''[[Delia Derbyshire's Creative Process]]'', pp.21-24.</ref>
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  • [[DD081157]] is a letter from Robina Gyle-Thompson to Delia about [[The Living World]] dated 22nd August 1968. Delia Derbyshire, Assistant, Radiophonic Workshop.
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  • [[DD144]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] with makeup tracks for ''[[Tiger Talks]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD139]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing "Lion Basic Voice" for a Cecil-Wright and Top =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • The Performers Right Society's list of works by Delia Ann Derbyshire has:
    434 bytes (61 words) - 16:42, 14 August 2022
  • [[DD170]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...s Voca]]'' [actually ''Voco''] by the British composer Jonathan Harvey who Delia was at university with" but, as usual, he can't get his facts straight. In ...'s "''[[Poème Eléctronique]]''", a groundbreaking piece at the time. When Delia subsequently went on to the Radiophonic Workshop, Jonathan pursued his inte
    2 KB (300 words) - 17:25, 10 March 2021
  • Delia became involved in an early electronic music concert at the New Mill Theatr ...p;-- Delia, quoted on [http://delia-derbyshire.org/unitdeltaplus.php delia-derbyshire.org]
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  • ...oud]]'' and the master and makeups for ''[[Searching]]'', both pieces that Delia rezlised for [[Sandy Brown]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD248]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing ''[[The Delian Mode]]'', harp textures and mat =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD019]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Poets in Prison]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD161]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing material for ''[[Tutankhamun's Egypt]]''. ...s m3b, m5, m8, m6 with footages, "all new mixes as requested, love Roger & Delia"
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  • [[DD067]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing the masters of several tracks for ''[[Electros Description: Doesn't sound like Delia!
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  • In 2008 an article appeared on the BBC web site<ref name=bbc/> about Delia's [[Attic Tapes]], including information about the recovery process for the {{Thumb|delia_226|Derbyshire studied maths and music at Cambridge before joining the BBC}}
    5 KB (758 words) - 01:34, 11 May 2024
  • ...ff]]'s EMS company<ref>[http://delia-derbyshire.org/deliaography.php delia-derbyshire.org]</ref> to promote the [[EMS Synthi A]] version of the [[VCS3]] analogue [[Tristram Carey]], [[Delia Derbyshire]], [[George Whitman]],
    982 bytes (140 words) - 01:37, 26 May 2016
  • ''In a Monaster Garden'' is a two-minute piece created by Delia for the 1963 Charlie Drake film ''[[The Cracksman]]''. Delia's papers contain a carbon copy of a typewritten invoice to Associated Briti
    1 KB (146 words) - 15:06, 17 December 2011
  • ...bert Moog]] wrote a polite letter giving his regards specifically to Delia Derbyshire and advising them to let him know if he could do anything else for them.&rd
    505 bytes (77 words) - 16:49, 15 June 2019
  • [[DD149]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], the third master tape of ''[[Methusaleh]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...940]] is a letter dated 5th November 1968 from [[Robina Gyle-Thompson]] to Delia about [[The Living World]]. Dear Delia,
    748 bytes (94 words) - 13:02, 12 June 2016
  • [[DD035]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], a safety copy of the three master reels for [[Hamlet]]: =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • In June/July 1965, Delia created a new title music for the BBC TV series ''[[Out of the Unknown]]'' {{Thumb|Delia Derbyshire with pen and Desmond Briscoe|Delia making notes for ''Out of the Unknown''<ref name=SS/>}}
    863 bytes (137 words) - 11:50, 14 August 2022
  • [[DD060]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Cubism]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD272]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing backgrounds for ''[[The After Life]]'' and ''[ =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[Radio Leeds]] was launched in 1968 and Delia produced four other musics for it, so we date this piece to 1968. The Performing Right Society list of works by Delia Ann Derbyshire has:
    1 KB (231 words) - 18:06, 16 June 2021
  • [[DD220]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. Label: Various Delia
    1 KB (199 words) - 12:36, 27 August 2021
  • [[DD183]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] with her music for ''[[Tiger Talks]]''. ...by the beatles, treated with echo and wobbly reverbDraft version of Delia Derbyshire track listings
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  • [[DD154]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing makeup tracks for ''[[O Fat White Woman]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD145]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing [[Brian Hodgson]]'s backgrounds for the [[Doc =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD072951]] is an undated typewritten invoice from Delia and [[Alan Oldham]] from [[56 Clarendon Road]] ([[Kaleidophon]]'s address i FROM: DELIA DERBYSHIRE & ALAN OLDHAM
    965 bytes (96 words) - 08:28, 31 October 2012
  • ...he Radiophonic Workshop from 1963-1974<ref name=bio/> and worked alongside Delia. ...ions<ref>[[Special Sound]], p.111.</ref> and when he was successful so did Delia. It is thanks to him that she retained any of the rights to her BBC works.
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  • [[DD038]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Medea]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD003]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], ...which mentions [[Inventions for Radio]], the [[BBC Radiophonic Workshop]], Delia, and "[[The Evenings of Certain Lives]]", and on the B side is an excerpt f
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  • [[DD143]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing makeup tracks for ''[[Cloud]]'' and maybe fo =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...g and Synthesizer Music.0e41de88.torrent]] as MP3s in folder "[1972] Delia Derbyshire - Electrosonic"
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  • <center>THE MOST COMPREHENSIVE INFORMATION ABOUT DELIA DERBYSHIRE'S LIFE, WORK AND MUSIC</center> ...r of electronic music [http://en.wikipedia.org/wiki/Delia_Derbyshire Delia Derbyshire].
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  • [[DD163]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing music for [[Ron Grainer]]'s ''[[Bread]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...itten letter in pencil, dated 19th May 1972, from [[Jeffery Boswall]] to [[Delia]] accompanying source recording for [[Wildlife Safari to Argentina]]. To: Delia Derbyshire
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  • [[DD271]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing backgrounds for ''[[The Dreams]]'' and ''[[Amo =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • {{Thumb|Mark Ayres at Delia Derbyshire Day 2013}} ...ber standing in a playground pretending to be a tree to the sound of Delia Derbyshire. You couldn't but hear this stuff; it was the soundtrack to our lives to a
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  • [[DD134239]] is a memo dated 28th October 1971 about re-using Delia's music for [[The Long Polar Walk]] in a documentary [[On The Rim in Spitsb Miss Delia Derbyshire, Radiophonic Workshop, Rm 8, Maida Vale
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  • ...[[Kaleidophon]] used in 1968.<ref name=DD072951>[[DD072951]]: Invoice from Delia to Julia Cave for "''Chronicle: Pompeii''"</ref> though the BBC copyright d The script in Delia's papers names [[Barry Cunliffe]]<ref name=DD145330>[[DD145330]]: Typewritt
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  • [[DD141]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing makeup tracks for ''[[Moogies Bloogies]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD215]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Wildlife Safari to the Argentine]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • [[DD251]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], probably containing makeup tracks for ''[[Tutankhamun's =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • It contains two tracks by Delia: # Delia Derbyshire - A [[Dance From Noah]] (3.58)
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  • [[DD027]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • "On the level" - Man-hours (for Brian and Delia) 11th Oct Studio p/b etc. Ron, Delia, Brian 3
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  • Delia created an identification signal for the BBC local radio station [[Radio Le ...as required for Radio Leicester, no-one thought of asking anyone but Delia Derbyshire to compose it.
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  • The Workshop's resident genius, Delia Derbyshire, had only just arrived. One of her earliest contributions - "[[Time On Our [In] the 1964-71 era of signature pieces [...] it is Derbyshire's genius that continues to stand out. Her "[[Talk Out]]" is incredible, bas
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  • [[Mattachin]] is a piece by Delia lasting 1:06 in the style of a medieval ''Pavane'', realized with musique c '''Delia:''' ''Yes, since 1968, I think. I'm tickled pink by it. It's charming, isn'
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  • Delia's [[Attic Papers]] consist of a cardboard box full of about twenty manilla * Mark Ayres' [[Initial Catalogue]] of Delia's attic tapes and papers lists the folders as DD279-280 and DD282-DD333.
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  • ...e=DD134239>[[DD134239]]: Memo dated 29 October 1971 from Dianne Forsyth to Delia about reusing two extracts from "The Long Polar Walk" in "On The Rim - Spit <BR>&nbsp;&nbsp;&nbsp;-- Delia in the [[Soundhouse interview]]
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  • [[DD204]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. ...ic music, manipulated with tape (sped up, reversed, slowed down, etc.) Not Delia, I don’t think. Ends 6:40
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  • ...he occasion of the opening of the biographical play [[Standing Wave: Delia Derbyshire in the 1960s]].<ref>[http://www.thetimes.co.uk/tto/public/sitesearch.do?que made it special was the electronic music pioneer Delia Derbyshire.
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  • ...knives in the kitchen."<ref>[http://www.delia-derbyshire.org/dcd.php delia-derbyshire.org]</ref> Delia shows how she assembles part of the piece on four tape recorders as part of
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  • ...Radiophonic Music,&rdquo; ''Gramophone'', September 1969]].</ref> compared Derbyshire to Xenakis in her ability to construct complex sound patterns.<ref>[[Louis Tracks by Delia are:
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  • This page collects insights into Delia's character, which appears to correlate with Asperger's Syndrome: a touch o Delia plunged into the party scene of Swinging Sixties London. Tall,
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  • ...ire.html MATRIXSYNTH, 27th August 2013: ''Sorrell Hays, Doris Hays & Delia Derbyshire'']</ref> who made some radiophonic tracks with [[John Baker]] in the '60s,
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  • [[DD181]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], a box of four tape loops labelled ''[[Prog 21]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...composer], 18th July 2008</ref> [[Mark Ayres]] gave him on permanent loan, Delia's [[Attic Tapes|tapes]] and [[Attic Papers|papers]] that were found in her ...ia.html David Butler and Camilo Salazar: To An Independent Listener, Delia Derbyshire Installation] at NOVARS</ref> and occasionally appears in BBC items and in
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  • ...called ''[[Staff Training Film]] - TV'' credited to "John Baker with Delia Derbyshire" and produced by [[P. Thompson]]; its catalogue entry is dated April 1971.<
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  • [[DD262]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing ''[[London Lemons]]'', ''[[Wildlife Safari to =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • {{Thumb|Delia Derbyshire with pen and Desmond Briscoe}} ...006) founded the BBC Radiophonic Workshop with Daphne Oram in 1958 and was Delia's immediate boss while she worked there from 1962-73.
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  • [[DD111]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], with makeup tracks for ''[[Dance from Noah]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...2017.</ref> It contains new material from the [[Cavanagh interview]] with Delia and a chapter or two from each of the * "Delia was an assistant at the Radiophonic Workshop from 1961 to 1973." erm, that'
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  • [[DD165330]] is a letter dated 24th May 1969 from Delia to Dallas Arbiter Ltd. ordering a 'George Hayman' four-piece drumkit. (Delia Derbyshire)
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  • Delia so knowingly gave it."<ref>Robin Carmody in [[Wee have also sound-houses (a Delia also made an extended version of ''The Delian Mode'', called ''[[Labyrynth]
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  • ...surviving work]] entry for [[TRW 7448]], credited to Malcolm Clarke/Delia Derbyshire</ref> in which John Berger "analyses the images of advertising and publicit The Performing Right Society's list of works by Delia Ann Derbyshire has:
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  • Miss Delia Derbyshire Dear Brian and Delia,
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  • [[Chronicle]] was a 1969 BBC TV series for which Delia created the title theme as well as incidental music for several programmes. ...ronicle Title]], created 1st February 1969.<ref>[[DD114048]] [[DD114058]]: Delia's manuscript for "Chronicle title" dated 1.2.69.</ref>
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  • ...ncluding Clara Rockmore, Daphne Oram, Bebe Barron, Pauline Oliveros, Delia Derbyshire, Maryanne Amacher, Eliane Radigue, Wendy Carlos, Suzanne Ciani, and Laurie It has three separate sections devoted to Delia including the entirety of [[Tomorrow's World video|her 1965 presentation of
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  • [[DD201]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] containing [[Labyrynth]] and [[Beachcomber]] for the [[Br =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...he Cloud]]'' in James Percival's catalogue of Delia's works.<ref>''[[Delia Derbyshire's Creative Process]]'', p.13, Table II.1.</ref> ...apes]], "The Cloud 1 of 2", has [[Moogies Bloogies]] appended to it, which Delia created in August 1966.
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  • [[The Dreams]] (1964) is the first of Delia's four [[Inventions for Radio]] produced in collaboration with the poet and ...tire piece is 45 minutes in length.<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>
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  • ...from Brighton Festival, Lively Arts". Description: "Unit Delta Plus"</ref> Delia created music for the [[Brighton Festival]] held on the West Pier on 14th-3 Billed in the programme as "LIGHT/SOUND WORKSHOP", Delia created the soundscapes for two exhibits entitled "[[Kinetic Arena]]" and "
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  • {{Thumb|Morse Code Musician - How Delia Crashed the Sound Barrier|A high-resolution scan of the original article}} [[Image:Delia Derbyshire - Sunday Mercury 1970.png|thumb|left|<B>DELIA DERBYSHIRE</B><BR><I>&ldquo;Almost brilliant.&rdquo;</I>]]
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  • Delia created music for a 1972 13-part<ref name=Excavation/> BBC documentary seri As well as the title music, it seems from the Attic Tape titles that Delia also created incidental music for episodes of the series.<ref>[[DD237]]: "S
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  • Delia made habitual use of several psychoactive drugs. ...ation to keep herself calm, I think.<ref>Brian Hodgson in the film ''Delia Derbyshire: The Myths and the Legendary Tapes''</ref>
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  • ...8]] is a letter dated 16th January 1968 from "Jack (Albert Chatterley)" to Delia. Dear Delia
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  • written by Dudley Simpson and realised by Delia. ...track redeems it somewhat.<ref>[http://delia-derbyshire.org/dcd.php delia-derbyshire.org]</ref>
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  • "After Delia's death [...] I cleared the house and removed all of the tapes from the att &ldquo;When Delia died, her partner Clive discovered all these boxes
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  • Delia created sound for an episode called ''Violence'' of the BBC series [[One Pa The Performing Right Society's list of works by Delia Ann Derbyshire includes:
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  • Delia created a piece of music which she called [[Angela's Ballet]], later rebapt ...age from James Percival] to [http://lists.topica.com/lists/delia the Delia Derbyshire mailing list] on 19th November 2012.</ref>
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  • ...e in the 1960s]]'' is a biographical play by [[Nicola McCartney]] based on Delia's life which was performed by the Reeling and Writhing theatre group from 7
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  • * [[File:Don Harper, Li De La Russe (Delia Derbyshire), Nikki St. George (Brian Hodgson) - Electrosonic (1972) (CD, 2008) FLAC.eb
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  • ...ntroduced by Dorothy Logan,. in which [[Laurence Spicer]] interviews Delia Derbyshire.<ref>[[DD085#Mark_Ayres'_notes|Mark Ayres' notes for DD085]].</ref>
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  • ...eo.com/88645554 the Derbyshire Day 2014 trailer] on vimeo.com is made from Delia's [[Attic Tapes]] for this piece. {{Play|Delia Derbyshire Day 2014 trailer}}
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  • [[DD034]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...of Delia's [[Attic Tapes]], containing an early [[Kaleidophon]] demo with Delia's tracks ''[[London Lemons]]'' and ''[[Moogies Bloogies]]''. 11. 7:54 wobbulator sounding, rises and echoesDraft version of Delia Derbyshire track listings
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  • From 1966 to 1967, Delia and [[Brian Hodgson]] moonlighted from the BBC Radiophonic Workshop to work It was Delia who introduced him to [[Alan Sutcliffe]]<ref>[http://sciencemuseumdiscovery
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  • One of Delia's [[Juvenile Papers]] is her answers to a music test for which she scores 5 ...5 bracket&rsquo; &mdash;[Graham Harris], personal communication.</ref> and Delia's birthday is 5th May 1937, so she would have been 13 on March 6th (and 14
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  • [[DD022]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], labelled "Nature for Elsa from Kal", which presumably ha Label: Delia: Nature for Elsa From Kal
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  • ...ng, for a programme called ''[[24 Hours]]'',<ref>James Percival, ''[[Delia Derbyshire's Creative Process]]'', p.15.</ref> including the lyrics "It is raining wom graphology is apparently also reflected in Derbyshire’s treatments. [...] The label on this reel presumably refers to Penny as
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  • ...a letter dated 30th June 1964 from Martin Esslin to Desmond Briscoe about Delia's sound for [[The Tower]]. this production by Delia Derbyshire and John Harrison. This play set them an
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  • [[DD081217]] is a letter from [[Robina Gyle-Thompson]] to Delia dated 15th August 1968 about [[The Living World]]. Dear Delia,
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  • Delia is credited at the PRS with the music for a story in the Doctor Who series The Performing Right Society's list of works by Delia Ann Derbyshire has:
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  • [[DD052]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Lowell]]''. Delia and Brian singing, Brian saying “Sorry!” when he flubs it.
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  • [[DD160]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing the master copy of the theme for ''[[Tutankha ...un's Trumpet etc. [[TRW 7529]]. N.B. is missing from RWS Archive. Contains Delia's voice.
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  • [[DD029]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...nalism: 1962 to 1980'': episode 2 of 3, contains an archive interview with Delia<ref>[http://ftvdb.bfi.org.uk/sift/title/842784 The programme's entry in the DAPHNE ORAM & DELIA DERBYSHIRE - Composers, BBC Radiophonic Workshop
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  • ...]] and we got together and started [[An Electric Storm|this album]].''<ref>Delia in the [[Radio Scotland interview]]</ref> ...onic music] started around 30 years ago when I met Brian Hodgson and Delia Derbyshire, who were then in a band called [[Unit Delta Plus]].
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  • (Delia Derbyshire)
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  • ...("''We sniffed fibre-optic flowers''") in which an actor plays the part of Delia and which had its first performance on the 8th of March 2013.<ref>[http://b ...opped working there in 1995", who emailed her saying that "nobody spoke of Derbyshire at the Radiophonic workshop. She was never mentioned."<ref>[[Johann Merrich
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  • [[DD212]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Egypt]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • In 1973, with Brian Hodgson at their newly-formed [[Electrophon]] studio, Delia helped create the soundtrack for ''The Legend of Hell House''. Decidedly De Delia at that time was going out with a really peculiar bloke.
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  • [[DD045]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Lowell]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • staff. It is quite possible that Delia Derbyshire, who was, of course, responsible Delia is soon going on annual leave, and should be available at the middle of
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  • ...st September 1966 and a tape of the music for ''[[A Game of Chess]]'' that Delia sent to its author, [[Derek Bowskill]], when she finished the piece. Radiophonic Workshop: Delia Derbyshire
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  • {{Thumb|DD145456|[[DD145456]]: Delia's orange folder "TRW 7598: Wildlife Safari to the Argentine" containing her Delia created the title music and sound for a BBC Network TV programme [[Wildlife
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  • [[DD017]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. Alfred Deller, directed by Gilbert ReaneyDraft version of Delia Derbyshire track listings
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  • Delia Derbyshire met [[Yoko Ono]] through David Vorhaus and in 1967 or '68 created the music ...ng of the lions in Trafalgar Square, which was a happening.</I>&rdquo;<ref>Delia in the [[Surface interview]].</ref>
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  • ...eet of Delia's score fragments on an undated envelope addressed to Miss D. Derbyshire, Radiophonic Workshop, Maida Vale.
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  • [[DD206]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing ''[[John Peel's Voice]]'' and its makeup trac =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • Delia, I didn't really know exactly what she did because nobody actually heard th ...reat flowing cloak and an enormous hat and I thought &ldquo;That has to be Delia.&rdquo; We were going to a Radiophonic Workshop party and when we got insid
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  • [[DD161646]] is a BBC memo to Delia scheduling the return of the BBC equipment loaned to the [[Dartington Hall] To: Miss D. Derbyshire Copy to: Mr. F. Jarvis
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  • [[DD074801]] is a letter dated 17.8.66 from Delia to BBC, asking permission to play [[Amor Dei]] at the [[Unit Delta Plus Con From: Delia Derbyshire, Radiophonic Workshop 17.8.66
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  • Here are some of the places where Delia lived and worked. Delia never unpacked. From the moment she left Clifton Villas I don't think she e
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  • ...Radiophonic Workshop team in room 12|[[Desmond Briscoe]], [[Dick Mills]], Delia, [[Keith Salmon]] and [[Brian Hodgson]] in May 1965}} Delia worked at the [[BBC Radiophonic Workshop]] from April 1962 to 1973, composi
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  • [[DD051]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]] for ''[[Lowell]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...l;nglinge]]'', one of the foundation works of electronic music, and a work Derbyshire admired. ...e=SS67>[[Special Sound]], ch.3, note 67: "Delia Derbyshire, undated notes. Delia Derbyhire Archive, Centre for Screen Studies, University of Manchester.</re
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  • {{Thumb|O Fat White Woman credit|Closing credit for Delia}} I remember Delia very well. She created a wonderful music/sound to
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  • ...5th January 1971 from [[Joan Griffiths]] to [[Desmond Briscoe]] asking for Delia's or Brian's involvement in the music for the programme [[Paolozzi]]. Delia Derbyshire and Brian Hodgson were involved is the sort
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  • [[DD033]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • .... For their main list of Delia's works, see [[PRS Works List for Delia Ann Derbyshire]]. | Delia Theme and Variations of [[Delia's Theme]]
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  • ...still under contract to the Beeb!)<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref> The "Delia's&nbsp;..." tracks derive from her
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  • [[DD066]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]]. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • {{Thumb|DD135343dd|...it looks like Hodgson and Delia are listening in}} Delia is credited with special effects for [[The Dark Ages]], a radio play by [[B
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  • Delia created the music for a 1964 radio<ref name=TLL/> programme catalogued We did a play called The Cyprian Queen. Delia created a marvellous kind of strange, unearthly flute music.<ref>Michael Ba
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  • In 1964, Delia created a 57-second signature tune for a BBC radio series 'For Schools - He ...and then did little glissandos on it and pitched it and treated it.''<ref>Delia in the [[Surface interview]].</ref>
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  • Delia appears to have created a new signature tune for a BBC programme ''[[The Da ...ne, which you will soon hear, has been composed by an English woman, Delia Derbyshire. [...] Fifteen years ago the world would have been astonished. This new mel
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  • A petition to the BBC Trust to have the BBC publish Delia's unknown music ran from 13 october 2013 to her 77th birthday, the 5th May Most of electronic music pioneer Delia Derbyshire's music exists in a single copy in the archives of the BBC Radiophonic Work
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  • In 1967 Delia created the sound track for [[Yoko Ono]]'s 20-minute<ref name=ICA/> '''Delia:''' <I>I did a film soundtrack for Yoko Ono. While she slept on my floor.</
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  • ...a-derbyshire-the-bbc-radiophonic-workshop-gallery/ ''Daphne Oram And Delia Derbyshire: The BBC Radiophonic Workshop Gallery''] at reaktorplayer.wordpress.com</re
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  • In Delia's papers is a copy of a newspaper article ''The electronic music makers'',< Says Desmond Briscoe: &lsquo;Delia Derbyshire composed the music for the schools programme ''Orpheus'' which won the Mini
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  • Delia contributed musical effects to [[Roberto Gerhard]]'s orchestral drama [[The The Performing Right Society list of works by Delia Ann Derbyshire has:
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  • <BR>&nbsp;&nbsp;&nbsp;--Delia, in the [[Surface interview]] She subsequently reworked these themes to make the "Delia's..." tracks on the [[ESL104]] album.
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  • * [[PRS Works List for Delia Ann Derbyshire]] and the
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  • [[Aztec]] is Delia's name<ref>[[DD120055]]: Score fragment "Aztec"</ref> for a suite of pieces Jones' voice.</I><ref>Delia in the [[Soundhouse interview]].</ref>
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  • Clive Blackburn was Delia's partner for the last 21 years of her life and is the sole beneficiary of ...ability in music.<ref>[https://www.youtube.com/watch?v=Ci_QZfoxaGA ''Delia Derbyshire Exhibition Opening''], 6th December 2015 on youtube.com from 3:37</ref>
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  • Delia created [[Blue Veils and Golden Sands]] as incidental music<ref>[[Special S ...lso gets called "The World About Us: ''The Blue Veiled Men''".<ref>[[Delia Derbyshire's Creative Process]], p.14 Table II.1.</ref>
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  • Delia produced electronic music and effects for the BBC's 1970 production of ''Th ...should win.<ref>[[DD141636]]: Memo dated 8th July 1970 from A. Parotte to Delia about division of the prize money should [[The Bagman]] win the Italia Priz
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  • ...1969, p.85, reviewing the album [[BBC Radiophonic Music]], which "compared Derbyshire to Xenakis in her ability to construct complex sound patterns" ...tter is reminiscent of the beginning of Xenakis's OrientOccident for Delia Derbyshire follows the analytical approach of the more sustained electronic compositio
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  • [[Know Your Car]] is Delia's 58-second version of Maurice Abrahms' 1930s hit ''Get Out And Get Under'' their product.</I><ref>Delia, quoted in [[The BBC Radiophonic Workshop: The First 25 Years]], p.85.</ref
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  • pioneered them. Delia Derbyshire composed the theme, and on the first ...imings for the notes expressed in inches and a list of the note bands that Delia would have to make up to create the melody,<ref>[[DD123034]]: Manuscript "M
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  • [[DD064]] is the [[Initial Catalogue]] number of one of Delia's [[Attic Tapes]], containing makeup material for ''[[Amor Dei]]''. =[[Delia Derbyshire's Creative Process|James Percival's notes]]=
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  • ...olden Sands (radio play)]]</ref> and they first met in September 1998.<ref>Delia in the ''[[Surface interview]]''.</ref> Delia thought so highly of him that she gave him her VCS3 synthesizer, a beautifu
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  • [[Clive Blackburn]] wrote a biographical page [[About Delia]] on his website. =ABOUT DELIA=
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  • To: Delia Derbyshire, Radiophonic Workshop, Room 8, Maida Vale
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  • On 15th January 1968 Delia participated in a concert of electronic music at the Queen Elizabeth Hall i The following day, "Jack" ([[Albert Chatterly]]) wrote to Delia<ref>[[DD111508]]</ref> saying:
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  • The Performing Right Society list of works by Delia Ann Derbyshire includes: Writers: Derbyshire Delia Ann, Hodgson Brian
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  • ...Delia/read/message.html?mid=814106918 James Percival's Feb 2012 message to delia&#64;topica.com]</ref> Manchester collection ([[DD263]]), and in Delia's realisation of Le Pont
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  • say that Delia provided sound effects for it: ...ctronic contributions from the BBC Radiophonic Workshop's celebrated Delia Derbyshire, working off-the-record here, and you have a soundtrack that graces every b
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  • ''Queen of the Wired Frontier'' is an article about Delia by [[Matthew Sweet]], published in [http://observer.guardian.co.uk The Obse ...>She put the whoo into Dr Who - and ended up with the Gas Board. Now Delia Derbyshire is being revered by Blur and the Chemical Brothers as the lost pioneer of e
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  • ...a Derbyshire: A Personal Tribute'' is a collection of personal memories of Delia from her childhood. ...Harris]] and sent to [[Martin Guy]] for publication on the web site delia-derbyshire.net, from which the following text is copied.
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  • ...raphical information and quotes from [[Drew Mulholland]], [[Tim Nunn]] and Delia. ...own. Yet she was one of the pioneers of electronic music in Britain. Among Derbyshire’s many credits is the music for a film by Yoko Ono. She also worked with
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  • Directors: D. A. Derbyshire B. G. Hodgson P. Kingsland G. P. Rodgers I.R. Smithers under which, in pencil, is written in Delia's hand:
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  • In it, Delia speaks about the working conditions at the BBC Radiophonic Workshop and in '''Female voice ([[Molly Cox]]?):''' I came along and met the beautiful Delia Derbyshire. She always said that a very important part of her music was wine bottles i
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  • ...born on 5 May 1937 at 124 Cedars Avenue, Coventry, the daughter of Edward Derbyshire, a sheet metal worker in a motor car factory, and his wife, Mary Amelia, n ...y line. On first hearing it he asked, ‘Did I really write that?’, to which Derbyshire modestly answered, ‘Most of it’. BBC rules at the time forbade her from
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  • Delia created the electronic soundtrack This is the longest surviving single piece of Delia's music and from late in her musical career.
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  • [http://delia-derbyshire.org/interview_boa.php delia-derbyshire.org] carries the transcript of an interview by John Cavanagh with the follo '''DELIA DERBYSHIRE: On Our Wavelength'''
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  • ...' is a film by Kara Blake, an affectionate biography with many extracts of Delia's music and interviews with people who knew her. * [[Delia's Reverie]]
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  • Delia recorded a presentation of her musical techniques for a 1965 episode of the ...m and Television has a vintage episode of Tomorrow's World featuring Delia Derbyshire explaining the musique-concrete methods adopted at the Radiophonic Workshop
    5 KB (857 words) - 10:12, 30 August 2021
  • ...y encounter with [[Paul McCartney]]<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>. ...Zinovieff's studio and I played him some of my stuff, that's all.</I>”<ref>Delia in the [[Boazine interview]].</ref>
    3 KB (426 words) - 11:26, 26 March 2013
  • Delia is credited with music "[[Leopards from the Sea]]" for an episode "[[Storm Reel returned from Delia Derbyshire.
    2 KB (283 words) - 09:13, 30 September 2021
  • ...ven-minute piece<ref>[[Special Sound]], p.135.</ref> specially composed by Delia for the [[Radiophonic Workshop in Concert]] event on the 19th May 1971 at t ...B, the 'E' remains and 100 I've used in the roman form of C."<ref name=sos>Delia, from recordings used in [[Sculptress of Sound]]</ref>
    7 KB (1,131 words) - 15:12, 12 February 2023
  • [[DD141844]] is a letter dated 26th August 1970 from Delia's to D. R. J. Doyle. Delia Derbyshire.
    2 KB (329 words) - 12:27, 31 January 2015
  • It contains 12 pages about Delia. In 1963 a Workshop composer called Delia Derbyshire realised by a series of &lsquo;carefully times hand-swoops&rsquo; on twelve
    7 KB (1,247 words) - 17:59, 23 May 2016
  • ...in an energy converter.<ref>[http://www.cosmicsurfer.pwp.blueyonder.co.uk/Delia.html Ian Burdon]</ref> ...the greeks did. And so my oo-oo-oo's were done on the Wobbulator.</I><ref>Delia in the [[Radio Scotland interview]]</ref>
    5 KB (761 words) - 19:33, 16 August 2022
  • In 1966, Delia and [[Brian Hodgson]] joined [[Peter Zinovieff]] to form [[Unit Delta Plus] ...r one at Morley College in London, [[David Vorhaus]] introduced himself to Derbyshire and Hodgson after the lecture.<ref>The [[Radio Scotland interview]]</ref>
    3 KB (413 words) - 14:40, 11 June 2021
  • Delia created the [[Dance from Noah]] for the programme [[Noah]] produced by [[Di Here's a dance from Noah, written by Delia Derbyshire for the BBC using [[VCS3|Synthi equipment]].
    2 KB (322 words) - 08:47, 30 September 2021
  • <small>Maybe you looking for Delia's piece ''[[The Dreams]]''?</small> Delia sometimes visits me in dreams. Here are those I remember and the real-world
    5 KB (847 words) - 12:00, 5 December 2020
  • ...ohn Lewis<ref>[[Special Sound]], p.139</ref>, where he was later joined by Delia<ref>[http://en.wikipedia.org/wiki/Brian_Hodgson Brian Hodgson's entry on Wi ...ded notepaper in her papers names the company directors as D.&nbsp;A.&nbsp;Derbyshire, B.&nbsp;G.&nbsp;Hodgson, P.&nbsp;Kingsland, G.&nbsp;P.&nbsp;Rodgers and I.
    2 KB (244 words) - 16:10, 23 May 2020
  • Vorhaus, who collaborated with the BBC Radiophonic Workshop's Delia Derbyshire [...] on an album called ''An Electric Storm'', which was
    5 KB (863 words) - 19:36, 31 May 2016
  • Delia Derbyshire Brian Hodgson David Vorhaus 281-3 Camden High Street London NW1 01485 6
    2 KB (194 words) - 20:22, 6 January 2013
  • [[The Tower]] is a radio play for which Delia created sound in 1964 in collaboration with [[John Harrison]]. [[Attic Papers|Delia's papers]] contain a letter from its producer, [[Martin Esslin]], to [[Desm
    3 KB (441 words) - 16:10, 5 May 2016
  • {{Thumb|TRW|The TRW code for [[Wildlife Safari to the Argentine]] in Delia's hand}} ...gue of the Radiophonic Workshop tapes: specifically, the items credited to Delia in an Excel spreadsheet from [[Mark Ayres]] called [[BBC Radiophonic Archiv
    35 KB (4,075 words) - 13:39, 27 June 2021
  • The electronic sound realisation is by none other than Delia Derbyshire
    2 KB (278 words) - 16:33, 15 June 2019
  • There is now Delia's audio for one movement of and the [[Medialink library]] of high-definition scans of Delia's papers is now included in the WikiDelia, cross-referenced with the photos
    8 KB (1,313 words) - 13:04, 10 July 2021
  • works of Delia Derbyshire, which are a musical treasure, had not brought them to light to be seen by ...Delta Plus]] or [[Electrophon]]. The situation for non-BBC works in which Delia reused her own sounds or makeup tracks, originally created for BBC works, t
    6 KB (959 words) - 13:57, 23 December 2021
  • ...Haven't Finished]] is a documentary by Benjamin Cook about the 2017 Delia Derbyshire Day event including interviews with Carol Churchill, [[Peter Zinovieff]], [ ...le. What he desperately needs is somebody to help him run this place." and Delia is perfectly suited to doing this.
    2 KB (394 words) - 16:51, 15 March 2024
  • The electronic sound realisation is by none other than Delia Derbyshire
    2 KB (295 words) - 14:04, 12 June 2021
  • ...scraps of information from the papers.<ref>[http://lists.topica.com/lists/Delia/read/message.html?mid=813588754 "A visit to the Manchster archive" archived The Delia Attic Tapes consist of 267 physical tapes, which I didn't
    6 KB (1,015 words) - 14:32, 30 June 2021
  • At [[Kaleidophon]], Delia helped create the ghost voice and electronic music sequences<ref>[[DD165251 ...st.<ref>[http://researchnovars.blogspot.it/2009/04/to-independent-listener-delia.html "To An Independent Listener" at NOVARS]</ref>
    6 KB (808 words) - 12:57, 23 May 2020
  • ...sh MP3s of some of Delia's music, presumably created in collaboration with Delia herself. Here's a copy of what used to be on it. Delia and Brian Hodgson treated John Peel's voice for the 1969 Top Gear compilati
    4 KB (659 words) - 12:58, 6 February 2017
  • ...[[Peter Zinovieff]] and [[Tristram Cary]] and provides the first sample of Delia's effects for [[Macbeth (1967)]] from the [[Attic Tapes]]. ...and his two partners in [[Unit Delta Plus]], [[Brian Hodgson]] and [[Delia Derbyshire]], both moonlighting from the [[BBC Radiophonic Workshop]].
    8 KB (1,277 words) - 16:57, 14 August 2022
  • ...s produced by [[Dickon Reed]]. The music consists of an electronic tune by Delia over guitar chords composed and performed by [[Alan Parker]] and the progra Delia Derbyshire composed the music for the schools programme <I>Orpheus</I> which won the M
    4 KB (560 words) - 09:34, 4 June 2016
  • Delia created music for BBC Radio 4's "RadioVision" schools' programme "[[Paolozz ...booklet accompanying the broadcast is dated Autumn 1971.<ref>[http://delia-derbyshire.net/papers/#Paolozzi DD105241-DD105751]: 19-page booklet "Paolozzi Art and
    3 KB (421 words) - 12:12, 10 July 2021
  • ...[http://www.guardian.co.uk The Guardian] newspaper carried an obituary for Delia, written by [[Brian Hodgson]]. The text here is a copy of [http://www.guard <BIG><BIG>Delia Derbyshire</BIG></BIG>
    8 KB (1,342 words) - 05:37, 10 January 2012
  • * Li De La Russe = [[Delia Derbyshire]] ...sleeve notes]], John Cavanagh gives a loving and entertaining portrait of Delia and the circumstances surrounding the album's creation.
    4 KB (563 words) - 19:52, 5 July 2021
  • ...the BBC's history when John Birt was Director General of the Corporation, Delia and I immediately spent much time comparing the climate when she left in th Soon I arranged to have Delia on one of my BBC radio music shows as a special guest. This was recorded "u
    10 KB (1,773 words) - 13:26, 3 August 2012
  • ...n Cavanagh]] with Delia and [[Drew Mulholland]], interspersed with some of Delia's audio tracks and broadcast as part of BBC Radio Scotland's "Original Mast Delia was on the other end of an ISDN link in Northampton, where she lived and it
    17 KB (3,312 words) - 15:50, 5 February 2020
  • ...ic selected and composed by David Kane. The radiophonic score was by Delia Derbyshire.&rdquo;<ref name=SuttonElms>[http://www.suttonelms.org.uk/others71.html Sut ...s "[[Out Of This World]]".<ref>[[DD073025]]: Memo from [[Glynis Jones]] to Delia about including [[Travelling in Winter]] on [[Out Of This World]].</ref>
    3 KB (487 words) - 16:31, 7 September 2021
  • In 1993 an interview with Delia was published in ''Doctor Who magazine'', issue 199, 12th May 1993, pp.14-1 ...screet and almost all of the article consists of a direct transcription of Delia's words.
    16 KB (3,034 words) - 11:46, 7 May 2017

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